The fourth of my five exciting announcement is the launch of my second new website, dedicated solely to book reviews. The title for this website is the New Myriobiblon.
Nicomachus of Gerasa’s two books of Arithmetical Theology were read. This certainly is a title suited to astonish and to excite a keen desire, but the treatise – not to call it a work of computations that are based on air and are a waste of time – falls far short of its title.
His language is diffuse, without urbanity or elegance, and soon palls, or positively disgusts; his aim is rather to display his knowledge than to benefit the reader. Most of the matter has nothing to do with history, and the work might be called a treatise on all kinds of subjects rather than a history, a tasteless effusion.
Read the nine books of the History of Herodotus, in name and number identical with the nine Muses. He may be considered the best representative of the Ionic, as Thucydides of the Attic dialect. He is fond of old wives’ tales and digressions, pervaded by charming sentiments, which, however, sometimes obscure the due appreciation of history and its correct and proper character. Truth does not allow her accuracy to be impaired by fables or excessive digressions from the subject.
This author is second to none of the best historical writers. He is very strong in concise narrative, and never impairs the continuity of the story by ill-timed digressions or parentheses; he is novel rather in arrangement than in diction, which he employs in such a manner that it would be impossible for the narrative to be set forth more clearly and perspicuously. His style is distinct, euphonious, and terse, characterized by a combination of smoothness and loftiness. His novelties of language are not merely far-fetched innovations, but are obvious and emphatic, figures of speech in reality, and not simply a change of ordinary words. The result is that not only in this respect is clearness secured, but also in the equipment, order, and nature of the narrative, which is the artistic essence of perspicuity. For straightforward periods are used even by those who are not specialists, and if this is done without anything to relieve them, the style degenerates into flatness and meanness, of which, in spite of his clearness, there are no traces in our author. He makes use of ellipsis, not of periods but of words, so that the ellipsis is not even noticed; any attempt to supply what is omitted would seem to indicate a tendency to unessential additions, and would not really fill up the gap. The variety of his rhetorical figures is admirable; they do not deviate at once altogether from simple form and usage, but are gradually interwoven from the beginning, so that they neither offend by satiety nor create confusion by sudden change. In a word, anyone who compares him with other historians, will find that many classical writers are his inferior in composition.
Read also:
First of Five Exciting Announcements from the Mystagogy Resource Center
Second of Five Exciting Announcements from the Mystagogy Resource Center
Third of Five Exciting Announcements from the Mystagogy Resource Center
