Having entered the Christmas season, we ask those who find the work of the Mystagogy Resource Center beneficial to them to help us continue our work with a generous financial gift as you are able. As an incentive, we are offering the following booklet.

In 1909 the German philosopher Arthur Drews wrote a book called "The Myth of Christ", which New Testament scholar Bart D. Ehrman has called "arguably the most influential mythicist book ever produced," arguing that Jesus Christ never existed and was simply a myth influenced by more ancient myths. The reason this book was so influential was because Vladimir Lenin read it and was convinced that Jesus never existed, thus justifying his actions in promoting atheism and suppressing the Orthodox Church in the Soviet Union. Moreover, the ideologues of the Third Reich would go on to implement the views of Drews to create a new "Aryan religion," viewing Jesus as an Aryan figure fighting against Jewish materialism. 

Due to the tremendous influence of this book in his time, George Florovsky viewed the arguments presented therein as very weak and easily refutable, which led him to write a refutation of this text which was published in Russian by the YMCA Press in Paris in 1929. This apologetic brochure titled "Did Christ Live? Historical Evidence of Christ" was one of the first texts of his published to promote his Neopatristic Synthesis, bringing the patristic heritage to modern historical and cultural conditions. With the revival of these views among some in our time, this text is as relevant today as it was when it was written. 

Never before published in English, it is now available for anyone who donates at least $20 to the Mystagogy Resource Center upon request (please specify in your donation that you want the book). Thank you.



January 7, 2020

Photios Kontoglou's Vivid Description of the Icon of Saint John the Baptist


By Photios Kontoglou

He stands on a rock, like a wild bird, winged with thin legs, wearing camel's skin over his flesh shortly below his knees, and above that he is wrapped in an oily-green garment.

His head is disheveled like a wild evergreen oak, with a twisted curl at the top; the beard, sparse at the cheeks, thickening under the chin and spun into four or five spirals; the nose is thin and long towards the lower point; eyebrows compact; eyes very sad, fixed at a distance; the mouth melancholic, curved.

His expression is stern with charming strength. His hair of many strands falls to his shoulders. His face is very thin and dark-skinned from the heat of the desert. His hair and beard have hairs curled up due to laborious toil and the wind.

The eyes are rough and full of perseverance. The nose is turned. The cheeks project. Deep-cheeked, long-necked, bare-chested where the bones separate from his dark skin. With his right he makes the sign of a blessing and with his left he holds a pole with a cross and an open scroll (which either says "Behold the Lamb of God, who takes away the sins of the world" or if he's preaching in the desert "Repent, for the Kingdom of Heaven is near").

On a rock at the right hand corner of the icon is a container in which is found his cut off head. To the left is a wild tree, an oak, and among its branches is an axe wedged, which symbolizes the words of the Prophet: "The axe is already at the root of the trees, and every tree that does not produce good fruit will be cut down and thrown into the fire."

From his shoulders sprout the wild wings of an eagle in accordance with the prophetic saying: "Behold, I shall send forth my angel before your face, to prepare the way before you." The wings work together to make this sacred bird marvelous.

Source: Ἔκφρασις τῆς Ὀρθοδόξου Εἰκονογραφίας [The Expression of Orthodox Iconography], Αθήνα 1960, Α΄, σελ. 86-87. Translation by John Sanidopoulos.


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