Having entered the Christmas season, we ask those who find the work of the Mystagogy Resource Center beneficial to them to help us continue our work with a generous financial gift as you are able. As an incentive, we are offering the following booklet.

In 1909 the German philosopher Arthur Drews wrote a book called "The Myth of Christ", which New Testament scholar Bart D. Ehrman has called "arguably the most influential mythicist book ever produced," arguing that Jesus Christ never existed and was simply a myth influenced by more ancient myths. The reason this book was so influential was because Vladimir Lenin read it and was convinced that Jesus never existed, thus justifying his actions in promoting atheism and suppressing the Orthodox Church in the Soviet Union. Moreover, the ideologues of the Third Reich would go on to implement the views of Drews to create a new "Aryan religion," viewing Jesus as an Aryan figure fighting against Jewish materialism. 

Due to the tremendous influence of this book in his time, George Florovsky viewed the arguments presented therein as very weak and easily refutable, which led him to write a refutation of this text which was published in Russian by the YMCA Press in Paris in 1929. This apologetic brochure titled "Did Christ Live? Historical Evidence of Christ" was one of the first texts of his published to promote his Neopatristic Synthesis, bringing the patristic heritage to modern historical and cultural conditions. With the revival of these views among some in our time, this text is as relevant today as it was when it was written. 

Never before published in English, it is now available for anyone who donates at least $20 to the Mystagogy Resource Center upon request (please specify in your donation that you want the book). Thank you.



April 18, 2011

Andres Serrano's "Piss Christ" Destroyed By Christian Protesters


Photograph of crucifix submerged in urine attacked in French gallery after weeks of protests.

Angelique Chrisafis
April 18, 2011

The controversial work Piss Christ by the New York photographer Andres Serrano has been destroyed at a gallery in France after weeks of protests.

The photograph, which shows a small crucifix submerged in a glass of the artist's urine, outraged the US religious right in 1987, when it was first shown, with Serrano denounced in the Senate by the Republican Jesse Helms. It was later vandalised in Australia, and neo-Nazis ransacked a show by the artist in Sweden in 2007.

The work has previously been shown without incident in France, but for the past two weeks Catholic groups have campaigned against it, culminating in hundreds of people marching through Avignon on Saturday in protest.

Just after 11am on Sunday, four people in sunglasses entered the gallery where the exhibition was being held. One took a hammer from his sock and threatened security staff. A guard restrained one man but the remaining members of the group managed to smash an acrylic screen and slash the photograph with what police believe was a screwdriver or ice pick. They then destroyed another photograph, of nuns' hands in prayer.

Piss Christ is part of a series by Serrano showing religious objects submerged in fluid such as blood and milk. It was being shown in an exhibition to mark 10 years of the art dealer Yvon Lambert's personal collection in his 18th-century mansion.


Last week the gallery complained of "extremist harassment" by Christians who wanted the image banned. The archbishop of Vaucluse, Jean-Pierre Cattenoz, called the work "odious" and said he wanted "this trash" taken off the gallery walls. Saturday's street protest against the work gained the support of the far-right National Front, which has recently done well in local elections.

Lambert had complained he was being "persecuted" by religious extremists who had sent him tens of thousands of emails. He likened the atmosphere to a return to the middle ages. The gallery stepped up protection, putting Plexiglass in front of Piss Christ and assigning two gallery guards to stand in front of it.

The culture minister, Frédéric Mitterrand, condemned the vandalism as an attack on the fundamental freedoms of creation and expression. A police complaint has been filed by the gallery and the guards.

The gallery's director, Eric Mézil, says he will keep the exhibition open to the public with the destroyed work on show "so people can see what barbarians can do".

The I Believe in Miracles exhibition opened in December and will run until May.

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