Having entered the Christmas season, we ask those who find the work of the Mystagogy Resource Center beneficial to them to help us continue our work with a generous financial gift as you are able. As an incentive, we are offering the following booklet.

In 1909 the German philosopher Arthur Drews wrote a book called "The Myth of Christ", which New Testament scholar Bart D. Ehrman has called "arguably the most influential mythicist book ever produced," arguing that Jesus Christ never existed and was simply a myth influenced by more ancient myths. The reason this book was so influential was because Vladimir Lenin read it and was convinced that Jesus never existed, thus justifying his actions in promoting atheism and suppressing the Orthodox Church in the Soviet Union. Moreover, the ideologues of the Third Reich would go on to implement the views of Drews to create a new "Aryan religion," viewing Jesus as an Aryan figure fighting against Jewish materialism. 

Due to the tremendous influence of this book in his time, George Florovsky viewed the arguments presented therein as very weak and easily refutable, which led him to write a refutation of this text which was published in Russian by the YMCA Press in Paris in 1929. This apologetic brochure titled "Did Christ Live? Historical Evidence of Christ" was one of the first texts of his published to promote his Neopatristic Synthesis, bringing the patristic heritage to modern historical and cultural conditions. With the revival of these views among some in our time, this text is as relevant today as it was when it was written. 

Never before published in English, it is now available for anyone who donates at least $20 to the Mystagogy Resource Center upon request (please specify in your donation that you want the book). Thank you.



January 11, 2021

Protopsaltis Harilaos Taliadoros Has Reposed


It has been reported that Harilaos Taliadoros, one of the great performers and teachers of Byzantine music in our times, has reposed at the age of 95, due to infection with the coronavirus. Those who ever had the opportunity to hear him live know what a master of Byzantine music he really was. If I were to list my own personal ten best worship experiences in an Orthodox church in my life, one of them would certainly be when I had the unique opportunity to hear him chant in the mid-1990's an expanded (because no one wanted it to end) Great Vespers for the feast of Saint Methodios of Constantinople at Holy Cross Chapel in Brookline, Massachusetts, with him as the Protopsaltis and Photios Ketsetzis as the Lampadarios. It may have been the closest to heaven I've ever been in my life. May his memory be eternal!

Brief Biography
 
Harilaos Taliadoros was born in Thessaloniki in 1926. He was distinguished for his excellent voice and musical talent from his childhood. His teacher in Byzantine chant was Protopsaltis Christophoros Koutsouradis from Chios. 
 
In 1942, at the age of 16, he was appointed the Lambadarios of the Church of Saint Therapon by the ever-memorable Gennadios, the then Metropolitan of Thessaloniki, and at the end of the same year he became the Protopsaltis of the same church. 
 
In 1944 he moved to the Church of Saint Phanourios and John the Baptist where he stayed until 1952 when he was called to the Church of the Hagia Sophia (a significant cathedral of Thessaloniki) by Metropolitan Panteleimon to succeed Protopsaltis Socrates Papadopoulos. 
 
The greatest impact on Taliadoros' formation as chanter was his acquaintance with Archon Protopsaltis Konstantinos Pringos, whom he first met in 1945. 
 
Harilaos Taliadoros was a prolific composer and his numerous books provide an excellent source of sometimes traditional and other times personal analysis of music found in classical editions of Byzantine chant. Despite his overall traditional style, he has been criticized for having introduced some polyphonic chants in his publications as well as his church repertoire. 
 
Worth mentioning are his teaching activities in various music schools in Thessaloniki where he has trained hundreds of students, thus contributing to the preservation and dissemination of authentic Byzantine chant. He has been invited to chant to many feasts in Constantinople, various places in Greece and overseas. He was honored to have chanted with Protopsaltis Thrasyvoulos Stanitsas at various occasions. 
 
Among his students one can single out Athanasios Bougiouklis, Angelos Kounas, Christos Chalkias, Theodoros Vasilikos and Metropolitan Hierotheos Vlachos. 
 
In recognition of Harilaos Taliadoros' important contributions to Byzantine chant and his services to the Church, the Ecumenical Patriarch awarded him the ophikion of the Archon Protopsaltis of the Archdiocese of Constantinople. 
 
Below is the last Cherubic Hymn he chanted at the Cathedral of Hagia Sophia in Thessaloniki on 12 January 2020, after chanting in that church for 68 years.

  


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