Having entered the Christmas season, we ask those who find the work of the Mystagogy Resource Center beneficial to them to help us continue our work with a generous financial gift as you are able. As an incentive, we are offering the following booklet.

In 1909 the German philosopher Arthur Drews wrote a book called "The Myth of Christ", which New Testament scholar Bart D. Ehrman has called "arguably the most influential mythicist book ever produced," arguing that Jesus Christ never existed and was simply a myth influenced by more ancient myths. The reason this book was so influential was because Vladimir Lenin read it and was convinced that Jesus never existed, thus justifying his actions in promoting atheism and suppressing the Orthodox Church in the Soviet Union. Moreover, the ideologues of the Third Reich would go on to implement the views of Drews to create a new "Aryan religion," viewing Jesus as an Aryan figure fighting against Jewish materialism. 

Due to the tremendous influence of this book in his time, George Florovsky viewed the arguments presented therein as very weak and easily refutable, which led him to write a refutation of this text which was published in Russian by the YMCA Press in Paris in 1929. This apologetic brochure titled "Did Christ Live? Historical Evidence of Christ" was one of the first texts of his published to promote his Neopatristic Synthesis, bringing the patristic heritage to modern historical and cultural conditions. With the revival of these views among some in our time, this text is as relevant today as it was when it was written. 

Never before published in English, it is now available for anyone who donates at least $20 to the Mystagogy Resource Center upon request (please specify in your donation that you want the book). Thank you.



January 24, 2011

Iconographer Fr. Kallinikos Stavrovounitis Has Reposed


Loukas A. Panagiotou
January 24, 2011
Romfea.gr

The monk Kallinikos Stavrovounitis, who is considered one of the foremost iconographers in pan-Orthodoxy, left this world last night (January 23, 2011), full of days.

The iconographer monk Kallinikos was born in 1920 in the town of Athienou of Larnaca, Cyprus. At 20 years of age he entered the monastic life at the Holy Monastery of Stavrovouni and in 1946 departed for Mount Athos, where he was apprenticed under Fr. Ioannikios Mavropoulo from whom he was initiated into the art of iconography.

Participating in the freedom struggle of Cyprus (1955-59), he was captured by the British, and was tortured and imprisoned. Even in prison he did not stop his iconography.

After his release he went to Athens and took lessons from Photios Kontoglou, getting the relevant certification for Byzantine Iconography.

Aiming to obtain more knowledge, he visited various places such as Mystras, Mount Athos, Meteora, Veria (Beroia), Thessaloniki, and Mount Sinai.

He investigated more than any other younger iconographer the technique of fresco and movable icons.

In discussions with iconographers and Byzantinists, with chemists and geologists, he studied and experimented with lime, straw, flax, cellulose, egg and colors.

At the Monastery of Saint Catherine at Mount Sinai, he studied the encaustic technique and was able to learn the secrets of hot wax painting.

His works have been exhibited in various exhibitions both in Cyprus and abroad, including: Athens, Hamburg, Frankfurt, Kiel, Berlin, Paris, London and Lausanne.

It should be noted that, at the initiative of Father Kallinikos and a donation of a large number of icons, the Kallinikeio Municipal Museum was founded and operates in his birthplace, Athienou.

Father Kallinikos was active in the art of iconography for more than fifty years, handing down to us the tradition of our ecclesiastical iconography, depositing his experience and knowledge, and gave with his work a new impetus to the technique of icon painting.

The funeral service for Father Kallinikos will be celebrated tomorrow at 3 pm in the Holy Church of the Panagia in the community of Athienou.

Translated by John Sanidopoulos
 

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