Having entered the Christmas season, we ask those who find the work of the Mystagogy Resource Center beneficial to them to help us continue our work with a generous financial gift as you are able. As an incentive, we are offering the following booklet.

In 1909 the German philosopher Arthur Drews wrote a book called "The Myth of Christ", which New Testament scholar Bart D. Ehrman has called "arguably the most influential mythicist book ever produced," arguing that Jesus Christ never existed and was simply a myth influenced by more ancient myths. The reason this book was so influential was because Vladimir Lenin read it and was convinced that Jesus never existed, thus justifying his actions in promoting atheism and suppressing the Orthodox Church in the Soviet Union. Moreover, the ideologues of the Third Reich would go on to implement the views of Drews to create a new "Aryan religion," viewing Jesus as an Aryan figure fighting against Jewish materialism. 

Due to the tremendous influence of this book in his time, George Florovsky viewed the arguments presented therein as very weak and easily refutable, which led him to write a refutation of this text which was published in Russian by the YMCA Press in Paris in 1929. This apologetic brochure titled "Did Christ Live? Historical Evidence of Christ" was one of the first texts of his published to promote his Neopatristic Synthesis, bringing the patristic heritage to modern historical and cultural conditions. With the revival of these views among some in our time, this text is as relevant today as it was when it was written. 

Never before published in English, it is now available for anyone who donates at least $20 to the Mystagogy Resource Center upon request (please specify in your donation that you want the book). Thank you.



July 7, 2015

The Church of Saint Kyriaki Kontoskaliou in Constantinople


By Nikos Ghinis and Constantinos Stratos

Among the populous Greek neighborhoods of Kontoskali, Vlanga and Hypsomatheia close to the Propontis, the Sea of Marmara, there are about ten church complexes that still have a life of their own.

As we know it today, the Church of Saint Kyriaki in Kumkapi was built in the late 19th century to the design of Pericles Photiades, who was the architect also of the Zographeion School. The earliest reference to the Church of Saint Kyriaki Kontoskaliou was made by the representative of the Russian Czar, who visited it in 1583.

The church survives in fairly good order though dampness has caused damage here, too, especially in the dome and the sanctuary where there are also cracks in the masonry.

The imposing octagonal building with its dome and belfry belongs to that bygone age in which Greeks of Constantinople enjoyed the status of "equality before the law". Wealthy Greek communities were able to erect magnificent Houses of Prayer and the buildings that so often clustered around them - the schools, assembly-halls, and association premises were no less splendid.

The neo-classical, stone school house opposite the church is falling into ruin, while the building that was once the community center is now a repository. Behind the stacks of merchandise one can make out the stage of a small theater with fine woodcarved decoration.

The scene in the adjacent buildings is, however, quite different. There the priest-in-charge, Meletios Sakkoulidis, has his offices. A tireless collector of books printed on Constantinopolitan presses, a scholar of ecclesiastical and community history, and faithful to the traditions observed by a deeply religious cleric, he ministers to the churches the Phanar has entrusted to his care (Saint Kyriaki, The Virgin of Hope and Saint Theodore Vlangas) and assists visitors in their contacts with the spiritually vibrant capital of the Pan-Orthodox world.

Here on Sundays and great feast-days the most recent migrants - Georgians, Romanians and Ukrainians - settled in the densely populated districts around the Church of Saint Kyriaki, participating in the Divine Liturgy. They live in old middle-class residences with woodcarved ornamentation on their impressive facades, but now on the point of collapse.







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