Showing posts with label Literature and Book Reviews. Show all posts
Showing posts with label Literature and Book Reviews. Show all posts

Book Review: "Jesus Fallen?"


By John Sanidopoulos

If there was one book on Christology I wish I had as a young seminarian, it would have been the recently published book titled Jesus Fallen? The Human Nature of Christ Examined From An Eastern Orthodox Perspective by Emmanuel Hatzidakis, a priest of the Greek Orthodox Archdiocese of America. This book is a powerful and detailed critique of one of the most awful and annoying heresies circulating among Orthodox theologians today, especially in the West, that says Jesus Christ, the Son of God, assumed a corruptible, passionate and mortal nature.

An Atheists Critique of Secular Humanist Progressivism



"What has been will be again, what has been done will be done again; there is nothing new under the sun." - Ecclesiastes 1:9

Atheist Philosopher John Gray, in his new book The Silence of Animals: On Progress and Other Modern Myths, argues that the secular humanist belief in progress based on reason goes against science and history and is nothing but a superstition. He writes:

“The evidence of science and history is that humans are only ever partly and intermittently rational, but for modern humanists the solution is simple: human beings must in future be more reasonable. These enthusiasts for reason have not noticed that the idea that humans may one day be more rational requires a greater leap of faith than anything in religion.”

In an earlier work, Straw Dogs: Thoughts on Humans and Other Animals, he was more blunt: “Outside of science, progress is simply a myth.”

According to a review in The National Interest:

"Though for decades his reputation was confined largely to intellectual circles, Gray’s public profile rose significantly with the 2002 publication of Straw Dogs, which sold impressively and brought him much wider acclaim than he had known before. The book was a concerted and extensive assault on the idea of progress and its philosophical offspring, secular humanism. The Silence of Animals is in many ways a sequel, plowing much the same philosophical ground but expanding the cultivation into contiguous territory mostly related to how mankind—and individual humans—might successfully grapple with the loss of both metaphysical religion of yesteryear and today’s secular humanism. The fundamentals of Gray’s critique of progress are firmly established in both books and can be enumerated in summary.

First, the idea of progress is merely a secular religion, and not a particularly meaningful one at that. 'Today,' writes Gray in Straw Dogs, 'liberal humanism has the pervasive power that was once possessed by revealed religion. Humanists like to think they have a rational view of the world; but their core belief in progress is a superstition, further from the truth about the human animal than any of the world’s religions.'"

To read the rest of the review in National Interest, see here.

Sanity in the City


“To live sanely in Los Angeles (or, I suppose, in any other large American city) you have to cultivate the art of staying awake. You must learn to resist (firmly but not tensely) the unceasing hypnotic suggestions of the radio, the billboards, the movies and the newspapers; those demon voices which are forever whispering in your ear what you should desire, what you should fear, what you should wear and eat and drink and enjoy, what you should think and do and be. They have planned a life for you – from the cradle to the grave and beyond – which it would be easy, fatally easy, to accept. The least wandering of the attention, the least relaxation of your awareness, and already the eyelids begin to droop, the eyes grow vacant, the body starts to move in obedience to the hypnotist’s command. Wake up, wake up – before you sign that seven-year contract, buy that house you don’t really want, marry that girl you secretly despise. Don’t reach for the whisky, that won’t help you. You’ve got to think, to discriminate, to exercise your own free will and judgment. And you must do this, I repeat, without tension, quite rationally and calmly. For if you give way to fury against the hypnotists, if you smash the radio and tear the newspapers to shreds, you will only rush to the other extreme and fossilize into defiant eccentricity.”

-- Christopher Isherwood, “Los Angeles” from Exhumations (1966)

The Autograph Neomartyrologium Collection of Monk Caesarius Daponte (1713-1784)


The Autograph Neomartyrologium Collection of Monk Caesarius Daponte (1713-1784) [Νεομαρτυρολογικά Σύμμεικτα Α΄] is published by "Mygdonia", Thessaloniki 2012, and involves a critical edition of the autograph (in its majority) manuscript of Caesarius Daponte – now belonging to the Public library of St Petersburg – the cod. Petropolitanus gr. 253 (ff. 97r-149v) - , which contains a very important, unknown hagiologic work: a neomartyrologium collection prepared by himself, which failed to attract the attention of those who were dealing with the neomartyrological literature.

This Daponte collection has a two-fold interest. First, it records the suffering of 38 neomartyrs previously unknown. These neomartyrs were either known to Daponte or they came from relevant sources. Second, he was also the pilot who directed the iconography of the neomartyrs contained in the liti of the new Katholikon of Xeropotamou Monastery on Mount Athos in 1783. In this way it becomes a classic, perhaps unique, example of speech and image interpretation in the late Ottoman Empire and attracts the interest not only of hagiologists or of historians but also the art historians.

414 pp. [+ 34 Images + 8 tables (photo manuscripts)], shape 24 × 17, ISBN 978-960-7666-71-0.

Why Our Planet Is Unique


In “The Loneliest Planet” (Wall Street Journal, December 31, 2011), Alan Hirshfeld reviews astrophysicist John Gribbin’s Alone in the Universe: Why Our Planet Is Unique:

Aliens invaded my life one Sunday night in 1957 when I was 6 years old. As I pulled close to watch Walt Disney's "Wonderful World of Color," the screen of our old black-and-white Admiral TV seemed to bleed into rainbow hues. Disney introduced the evening's program: "Mars and Beyond," a meditation—in retrospect, an entertainment—on the possibility of life on other worlds. "Will we find planets with only a low form of vegetable life?" Disney wondered, then nodded genially toward his towering, metallic co-host. "Or will there be mechanical robots controlled by super-intelligent beings?" To my juvenile mind, these questions were an invitation to a living-room ride into outer space.

The program featured a wry, animated history of ideas about otherworldly beings, interrupted by scientific testimony from dark-suited experts like Wernher von Braun. With the rush of a Disneyland roller coaster, it launched full-tilt into speculation about alien life forms. I sat riveted by a succession of Dalí-esque landscapes, overrun by writhing, python-thick vines and nightmarish carnivorous creatures, all waging the brutal business of survival to an eerie electronic score. The import of these scenes was clear, at least to a callow 6-year-old: There must be life out there; we must find it.

The hothouse of 1960s space exploration whetted my taste for all things extraterrestrial. I read a book called "Intelligent Life in the Universe" (1966), written by Russian astronomer Iosif Shklovsky and expanded upon by a rising planetary scientist from Harvard named Carl Sagan. Gustav Holst's "The Planets" became the theme song of my adolescence. Like Walter Cronkite, whose muted narration betrayed his own disappointment, I was crushed by the grainy photos of the desolate, utterly lifeless surface of Mars sent back by Mariner 4 after a flyby in 1965.

Gradually my youthful certitude about the imminent discovery of life on other worlds tempered. New information corralled the broader reaches of speculation. Martian landers found no sign of microbes in the soil, while probes to Venus crisped in that planet's sulfurous hothouse. Radio telescopes, which have now spent decades on the lookout for transmissions bearing the telltale signature of an advanced civilization, have received not a single one.

Recent discoveries might seem to boost the likelihood of life elsewhere in the galaxy. We have confirmed the stunning ubiquity of extrasolar planets in other star systems, the latest a possible Earth-analog orbiting right in the habitable sweet spot—not too close, not too far—from its central sun. Biologists have encountered bacteria underneath a mile of Antarctic ice and nestled within rocks in a Yellowstone geyser; it's only a modest stretch to imagine that the next generation of robotic spacecraft might find simple biota in equally hostile havens on Mars or on one of Jupiter's moons.

But as John Gribbin points out in his grimly plausible book, "Alone in the Universe," there is a world of difference between habitable planets and inhabited planets. Mr. Gribbin's narrative reduces the vision of Disney's documentary into the counterfactual fever-dream it really is. The author's conclusion: Earth is the sole abode of intelligent life in the galaxy, the product of a profoundly improbable sequence of cosmic, geologic and climatic events—some thoroughly documented, some inferable from fragmentary evidence—that allowed our planet to become a unique refuge where life could develop to its full potential.

Chief among these, paradoxically, was a near-cataclysmic planetary collision during Earth's infancy, which gave birth to the moon. Such encounters were relatively common in the harum-scarum chaos of an early solar system that teemed with veering planets and asteroids. In its suicidal blow against our world, the Mars-size impactor generated enough heat to liquefy both itself and Earth's exterior. Its dense, metallic core plunged inward to join our planet's existing metallic center, while the rest swept up part of the fiery terrestrial shell to form the moon.

One consequence of Earth's tumultuous youth was the thinning of its rocky crust. This has provided the planet with a lively tectonic existence, complete with vapor-spewing volcanoes, continents that divide and drift, and an ecologically advantageous global-temperature-regulation system. Earth's swollen metallic core remained liquid; its constant churning gives rise to electrical currents that generate a far-flung magnetic cocoon that shields us from dangerous solar particles. (The creation of Eden is far more complex than one might have heard.)

Another fortuitous coincidence on Mr. Gribbin's checklist is the moon's large size relative to Earth, a ratio unique in the solar system. Without such a gravitational partner to restrain the disrupting tugs of the sun and Jupiter, our planet might suffer paroxysms of axis-tilting. (Try to run a civilization when your once-temperate hemisphere suddenly heels over to an Arctic orientation.) Mr. Gribbin outlines how a series of climate-altering Ice Ages and tectonic shifts benefited human ancestors roaming the grasslands of East Africa.

These events are real; the conclusions are speculative, but plausible. But speculation is part of the fascination (and the fun) of the extraterrestrial-life debate and part of the reason it has percolated since antiquity. The Greek philosopher Epicurus, in the fourth century B.C., envisioned a plurality of worlds, some of which, he claimed, harbored living beings. Plato demurred, holding that a unique Creator would form a unique cosmos; thus, the central Earth must be the sole harbor of life. Early Christian scholars, including Thomas Aquinas, tended toward this view. (After all, what God would deliver Earthlings from sin yet abandon his creations elsewhere?) But the issue intensified in 1277, when Étienne Tempier, Bishop of Paris, condemned arguments that seemed to restrict God's ability to seed the cosmos with life, if he so chose. Why would God be so profligate with cosmic habitations yet so miserly with occupants?

The prevailing "lonely Earth" outlook eventually encountered fierce opposition from a tract titled "Of Learned Ignorance" (1440), published by Nicholas of Cusa. Here readers discovered that among the numerous inhabited worlds in the cosmos are our own moon and sun. In 1543, Nicholas Copernicus recast Earth as a common planet, circling but one of a vast population of much more distant suns, and from then onward a stream of planetary-voyage fantasies and broader speculative works emerged.

Readers eagerly flung off life's sober reality and flirted with far wilder prospects of imagination. In a best-selling 1686 confection, "Conversations on the Plurality of Worlds," French fabulist Bernard le Bovier Fontenelle describes Venusians as "little black people, scorch'd with the Sun, witty, full of Fire, very Amorous," while their glum counterparts on Jupiter "are so very grave, that were Cato living among 'em, they would think him a merry Andrew."

The line between science and speculation has long been muddled. As late as 1800, William Herschel—the same man who discovered the planet Uranus and mapped the boundaries of our galaxy—charted vast forests on the lunar surface and claimed sunspots to be windows into a temperate solar interior. By the time the New York Sun perpetrated its Great Moon Hoax in 1835, the public was primed to believe fictitious news reports of telescopic sightings of otherworldly creatures—as it would be a century later when H.G. Wells's murderous Martians invaded New Jersey via the radio.

Mr. Gribbin admits the possibility —even probability—that elementary life forms have arisen elsewhere in the galaxy. But the object of his scientific and statistical scrutiny is intelligent extraterrestrial life. While he cannot prove a galaxy-wide absence of other civilizations, he presents an array of modern, research-based evidence that renders that conclusion eminently reasonable. He even suggests a decades-long survey of infrared emissions around stars (possibly arising from planetary atmospheres, even water vapor). This would yield the true number of "wet-Earth" planets in the galaxy—in his estimation, zero.

One leg of Mr. Gribbin's argument rests on the theorized life expectancy of advanced civilizations, which he claims is much more fleeting, on a cosmic timescale, than we care to admit. Our species has inhabited this planet for about one hundred-thousandth the age of the galaxy, and it was merely a century ago that we began to transmit radio waves. If technological civilizations did arise before ours, they might have succumbed to war or environmental degradation well before our primate ancestors stood upright.

The rosy alternative—a long-surviving society—seems even less plausible. With millions of years of technological advancement, why haven't they migrated throughout the galaxy by now? Or why haven't we picked up the least shred of their radio-wave chatter? Of course, Mr. Gribbin dismisses such questions: These purported civilizations never existed.

Our civilization's own halting steps into outer space so far suggests an uncertain future for the exploration or colonization of extrasolar worlds. The idea that we—or our robotic avatars—might be the first species to traverse the galaxy presumes a fundamental change in space propulsion, which at present (except in Hollywood) is unsuited to cosmic distances. Looming environmental disaster might yet provide the impetus to send aloft a select segment of the population in a one-way space ark. But an escape-pod scenario is a far cry from true interstellar migration.

Which brings us back to Mr. Gribbin's essential point. Given the 13 billion years or so that our galaxy has existed, whatever fate will befall us here has already befallen "them" out there. In this, the extraterrestrial-life question has always been a mirror of humanity, a reflection of our own limits and dreams as a species.

One needn't sign on to Mr. Gribbin's conclusions to appreciate his logic. Humans are a miracle of blood, bone, and brain, a volatile mixture of compassion and brutality whose most enduring accomplishment—besides self-propagation—is the acquisition of knowledge about our world. We occupy, according to Mr. Gribbin, a unique position in the cosmic scheme of things. Having crowned humanity as the apex of galactic intelligence, Mr. Gribbin warns that there is no second chance: If we destroy ourselves, we will have done a grave injustice to the universe, removing perhaps the only means it has to ponder itself.

—Mr. Hirshfeld is the author of "Eureka Man: The Life and Legacy of Archimedes."

Jesus Likes Halloween a Little Bit, Doesn't He?


Jeff Kinley
October 17, 2011
The Huffington Post

Every year Christians face a cultural dilemma, beautifully articulated by a 5-year-old boy's announcement to his parents upon returning home from school one day.

"Mom and Dad, Jesus hates Halloween!" Then, pausing, he mumbled, "But He likes it a little bit, doesn't He?"

And therein lies the conundrum of the Christ follower -- what to do with Halloween. Traditionally, Christians and anything related to the horror genre have not mixed well. Like oil and vinegar. Church and State. Alcohol and tattoos.

Some Christians even go so far as to claim Halloween is, in reality "Devil's Birthday." Really? Never mind the Bible doesn't say that. Note to self: File under "Christian Superstitions."

What that little boy was really trying to communicate was, "Mom and Dad, can I dress up like a pirate and get some candy this Friday night?"

But the dilemma remains concerning this perennial predicament. What are Christians supposed to do with the hoopla and festivities surrounding this evil holiday? Are we to ignore it? Pretend it doesn't exist? Lob "Gospel Grenades" of condemnation at those who celebrate it? Hand out religious pamphlets instead of candy to trick or treaters? Or offer an alternative, like a Harvest Festival, Fall Carnival or even "Reformation Day Celebration"?

Unfortunately, many people's only exposure to Christianity is when the "religious right" is condemning or complaining about something -- culturally or politically. However, that's changing in a lot of communities. Christians are waking up and engaging culture instead of merely vilifying it. The apostle Paul was a master at observing culture and redeeming it for God's purposes -- using customs, practices -- even idols and quotes from secular poets to illustrate biblical truth. While in Athens, he used a pagan Greek word for 'God' (theos) to build a verbal bridge communicating who the true God (Jehovah) was (Acts 17:23).

In reality, a lot of church members are huge fans of the horror genre in books and movies, and untold numbers wait with baited breath to catch the highly anticipated second season of AMC's The Walking Dead (or TiVo-ing it to watch after Sunday night Church).

Enter a new book: "The Christian Zombie Killers Handbook: Slaying the Living Dead Within." Officially releasing this week worldwide, the title is sure to arouse curiosity, combining two seemingly contradictory terms. I wrote this book, in part because I've always been a fan of the horror genre. But anther dilemma: how to reconcile that to my faith without compromising or stretching the truth?

As it turns out, that part was easy as zombies are a powerful metaphor paralleling a core theological truth. George Romero, legendary director and godfather of zombie films, has said, "I've always liked the monster within idea. I like the zombies being us."

Bingo, George. And that's precisely why zombies are so disturbing. We see a mirror of humanity when looking into their dark sockets. They're messy, smelly and they want to consume our flesh and brains. They don't go away just because you wish it so. They don't even stop chasing you when you shoot them, unless of course you shoot them in the head. They're just pure evil and you never know when they're going to lumber up behind you and bite a bloody hunk of meat out of your trapezoid muscle.

But back to the idea of "stinky Christians." The bite of this zombie metaphor cuts even deeper now. There's a spiritual parallel in their insatiable craving for self-satisfaction. The Bible describes this as the "old man" or "old self" (Rom 6:6), also commonly referred to as the "sin nature." It's the part of us that resists God and runs from Him. It even hates Him. It's the immaterial, mystical part of our soul that wants our own way over God's way. And though as Christians this evil entity has no legal authority over us anymore (Rom 6:6-11), we still feel it creeping up on us. Like, every day.

This creates tension. And confusion. And frustration. But Christianity typically avoids messiness. We don't like friction in our faith. We prefer order and predictability. Smooth sailing is our journey of choice. But God likes to throw a wrench in the gears every now and then, to challenge us. To get us to think. To engage. And to find new ways to live out faith our in the marketplace. In doing this, we Christians discover we aren't really any "better" than anyone else. This zombie inside us smells as putrid as any portrayed by Hollywood. And though we have accepted Christ's atoning sacrifice on our behalf (Col 1:13-14), we still struggle with many of the same temptations and sins as the rest of humanity (Rom 7:15-25). We become acutely aware of an inner beast that constantly moans and gnaws at our spirit.

"The Christian Zombie Killers Handbook" offers escape, survival and a win over the zombie inside. This book shows you how to slay the living dead within. With its unique blend of fiction, graphic novel inspired illustrations, and spiritual guidance, it delivers a fresh, relevant look at the doctrines of sin, grace, salvation and the inner conflict we all face.

In the end, this annual Fall dilemma is much deeper than culture, Halloween, TV shows and trick or treating. The real issue is "What do I do with this rotting corpse?"

New Book - Greece’s Dostoevsky: The Theological Vision of Alexandros Papadiamandis


{The following is the last in a series of four guest posts from Herman A. Middleton, author of Precious Vessels of the Holy Spirit: The Lives and Counsels of Contemporary Elders of Greece (featuring eight Greek Orthodox monastic elders), and translator of the recently released Greece's Dostoevsky: The Theological Vision of Alexandros Papadiamandis (a study of one of modern Greek literature's finest writers). It is about his new book that he now writes. (The first, second, and third posts are posted elsewhere, for which see below.)}

In previous posts, I have looked at Dr. Anestis Keselopoulos's book, Greece's Dostoevsky: The Theological Vision of Alexandros Papadiamandis from a variety of angles.

In the first post I discussed my impetus for translating the book. In the second post, I looked at Papadiamandis's biography and work, and considered why he is a seminal figure in both the Greek as well as the wider Orthodox world. In the third post I looked more closely at the book itself, what it contains, and many of the issues it touches upon. In this final post, I wanted to discuss in greater detail the significance of Papadiamandis for the West, in particular the example of Papadiamandis as an artist-evangelist, and as an example that can inform and instruct artists desiring to create faith-inspired work.

To begin, though, permit me to share a personal story that ties in with this topic. In previous posts on my blog, I have touched upon the important role that reading The Brothers Karamazov played in my conversion to Orthodoxy. I was studying academic theology at an Evangelical Protestant college, and was tired of dry Biblical interpretations and academic arguments. At the heart of the Orthodox understanding of theology is Evagrius of Pontus's celebrated saying: "The one who prays is a theologian; the one who is a theologian, prays." Without an active prayer/spiritual life one cannot be a theologian. It was not a surprise, then, that my conversion to Orthodoxy was largely influenced by the stories of others who had faith/prayer/spiritual lives and who experienced God's grace. I sensed that these were not simply fictional stories, but that they touched upon truths that I had personally never experienced.

I mention my story to underline the significance Papadiamandis (as Dostoevsky) has for the West and for Orthodox mission in particular. When it comes to religion, our society is largely jaded, fatigued by polemic and the hypocrisy of many religious people. It has always been true that it is not intellectual arguments, but encounters with love and grace that convert people to Christ. This has never been more true than today, when romantic notions of faith and holiness that make the spiritual life seem beautiful or easy ring particularly hollow. It is the realism of artists such as Dostoevsky and Papadiamandis that has the power to touch human hearts.

Papadiamandis's obvious affection for and championing of the weak, maligned, and downtrodden, and his refusal to pass judgment make him accessible to skeptical humanists. His obvious humanity is attractive, and makes reading his stories easier for modern sensibilities. Papadiamandis offers much more than this, however.

Because Papadiamandis's stories are set in a society that is both deeply and broadly Orthodox, the western reader is given insight into a profoundly Christian world, a world that (more or less) no longer exists in the West. Papadiamandis offers a vision of what a Christian society looks like, and of what a Christian in a Christian society looks like. In his Introduction to the book, Fr. Alexis Trader asks the question,

"Can an American living in such a complex society with people traumatized by a diversity of psychological disorders gain [the] honesty, [the] simplicity, and [the] humility [of the faithful of Skiathos]? If he has the opportunity to immerse himself fully in the life of the Church and if the wise precepts of the Fathers for the liturgical life and the life in Christ are implemented, all things are clearly possible through the grace of Christ. In fact, the point of Papadiamandis's narratives is that the downtrodden, wounded, and despised can be transfigured into the glorious people of God through the Church's divine worship."

Truly Christian art works in synergy with the grace of God to bring about healing and wholeness. Papadiamandis's descriptions of the Christians and the Christian society of Skiathos have the potential to engender this healing and to inspire this wholeness.

As I mentioned earlier, realism is an important characteristic of Christian non-liturgical art. Also, Christian art makes use of the "language" of Christianity (symbolism, language, history, etc.), even if it doesn't deal with overtly "religious" themes. Both Papadiamandis and Dostoevsky use this language, though neither one could be accused of writing "religious" literature. In a world where sentimental and simplistic pop "Christian art" is a market of its own, Papadiamandis offers another vision, another way of understanding both art and Christianity that has the potential to be profoundly redemptive. In the Translator's Foreword to the book, I go into more detail regarding the particularly "Christian" aspects of Papadiamandis's art.

[Learn more about Greece's Dostoevsky: The Theological Vision of Alexandros Papadiamandis.]

Posting Schedule:

Blog Post #1: September 30th, Byzantine, TX

Blog Post #2: October 4th, Eighth Day Books Blog

Blog Post #3: October 6th, Bombaxo

Ernest Hemingway On the Catastrophy of Smyrna in 1922


By Richard Carriero

Disorienting flashes of light and dark, that's how Earnest Hemingway's "On the Quai at Smyrna" begins.

"The strange thing was, he said, how they screamed every night at midnight. I do not know why they screamed at that time. We were in the harbor and they were all on the pier and at midnight they started screaming. We used to turn the searchlight on them to quiet them. That always did the trick. We'd run the search light up and down over them two or three times and they stopped it."

On August 30th, 1922 after smashing the Greeks at Afyon, Mustafa Kemal ordered his troops to Smyrna. Before him the survivors of the disastrous Greek invasion poured onto ships in terror. Not everyone escaped. The invasion's chaotic conclusion would bring Hemingway to Istanbul and provide the subject matter for his first work as a war correspondent.

No one knows who burned the city (Ataturk gave orders that on pain of death no civilians were to be harmed). Hemmed in by fire and the Turkish army, Christians huddled on the pier. Old men died alongside women giving birth. In Our Time, Hemingway's first story collection, begins with these images, gleaned from refugees a scant three weeks later by the young American journalist for the Toronto Star.

Toward the end of September, Hemingway, a new arrival on the Paris literary scene, boarded a train to write about a war. As he crawled through the Balkans on the Orient Express, bound for, as he put it, "Constantinople and Scutari (Üsküdar), where a short bronze-faced, blond Turk with a seasoned army of 300,000 men and a united nation at his back dictates terms to the Allies," the situation had reached a critical mass.


Like a prize fighter who has floored his opponent and glares about for the next challenger, Turkish forces marched into the neutral zone decreed by the Treaty of Sevres. They were ordered by British General Harrington to desist. Mustafa Kemal refused-the British were in no position to give orders. The Italians and French armies fled and the Greek navy was ordered by the British to quit Istanbul. In a city where people remembered only too well what happened in Izmir everyone was on knife's edge as Ataturk met with the allies to discuss peace terms. It was into this pressurized environment that Hemingway arrived.

"Constantinople doesn't look like the movies. It does not look like the pictures, or the paintings, or anything. First your train comes winding like a snake down the sun-baked, tree-less, rolling plain to the sea. It rocks along the shore where kids are bathing and out across the blue water you see a big brown island and faintly beyond it bulks the brown coast of Asia."

From his arrival at Sirkeci to his procession across Galata Bridge, up the hill to the Buyuk Londres Hotel in Pera, Hemingway describes a brownish city of narrow streets, bad traffic and hillsides strewn with rubbish. Although a first time visitor, Hemingway adeptly conveyed Istanbul to his readers in a few compact brush strokes. "You get flashes of squatting, mushroom-like mosques always with their dirty white minarets rising from the corners. Everything white in Constantinople is dirty white."

Its hard not to marvel that he was only 23. He hadn't a single novel to his credit and had only published a handful of stories. However his experiences in World War I had already given his work its characteristic detachment. Most importantly, Hemingway had developed a knack for thrusting himself into the action.

"There is a tight-drawn, electric tension in Constantinople such as only people who live in a city that has never been invaded can imagine. Take the tension that comes when the pitcher steps into the box before the packed stands at the first game of the world series, multiply it by the tension that comes when the barrier snaps up, the gong clangs and they're off at the King's Plate at the Woodbine (Toronto racetrack), add to it the tension in your mind when walk the floor downstairs as you wait frightened and cold from someone you love while a doctor and a nurse are doing something in a room above you that you cannot help in any way..." Probably more hyperbolic than his masterworks, at the same time, however, Hemingway was writing as a journalist and thus, we get to see a different side-one concerned with deadlines and sensationalism.


Not that hyperbole was really necessary that autumn. Hemingway entered a city that did not know whether it would witness a second Izmir should the allies abandon the straits. The "upstairs operation" is an allusion to the Mudanya conference where Ataturk sat down with the allies to decide Istanbul's future. In an interview with Ataturk's representative in the city, Hamid Bey, Hemingway discusses the prospect of sectarian strife.

"Canada is anxious about the possibility of a massacre of Christians when Kemal enters Constantinople," I said.

"What have the Christians to fear?" he asked. "They are armed and the Turks have been disarmed. There will be no massacre. It is the Greek Christians who are massacring the Turks now in Thrace. That's why we must occupy Thrace to protect our people."


The settlement of eastern Thrace and the freedom of the straits were at issue in Mudanya but the press weren't invited. While awaiting the outcome of the conference, Hemingway had plenty of time to take in Istanbul. The Buyuk Londres Hotel in Pera, where he stayed, was one of the grand pensions built during the 1890's in anticipation of the Orient Express. Today it epitomizes 19th century European opulence; in the grotto-like bar one can imagine Hemingway going over proofs whilst smoking cigarettes and sipping martinis. From the Londres front steps looking out over the Golden Horn, you can imagine how he saw the city each day.

"In the morning when you wake and see a mist over the Golden Horn with the minarets rising out of it slim and clean toward the sun and the muezzin calling the faithful to prayer in a voice that soars and dips like an aria from a Russian Opera, you have the magic of the East. When you look from the window into the mirror and discover your face is covered with a mass of minute red speckles from the latest insect that discovered you last night, you have the East."

All of Hemingway's dispatches display the same ambivalence toward the city. In describing Turkish cuisine the author comments how "the fish are good" and yet in the same paragraph how his jaw muscles were beginning to "bulge like a bull dog" from eating tough Turkish beef.

Hemingway's October 28th, 1922 article, "Old Constan," makes many observations that any modern Istanbullu can relate to. About the weather he quips, "If it doesn't rain in Constan the dust is so thick that a dog trotting along the road that parallels the Pera Hillside kicks up a puff like a bullet striking every times his paws hit the ground...If it rains, this is all mud."

His descriptions of Beyoglu are priceless, "All night hot sausage, fried potato and roast chestnut stands run their charcoal braziers on the sidewalk to cater to the long lines of cabmen who stay up all night to solicit fares from the revelers."


His take on late night Beyoglu is eerily familiar, "Before the sun rises in the morning you can walk through the black, smooth-worn streets of Constan and rats will scuttle out of your way, a few stray dogs nose at the garbage in the gutters, and a bar of light comes through the rack in a shutter letting our a streak of light and the sound of drunken laughing. That drunken laughing is the contrast to the muezzin's beautiful, minor, soaring, swaying call to prayer and the black slippery, smelly, offal-strewn streets of Constantinople in the early morning are the reality of the Magic of the East."

Hemingway was in Istanbul long enough to conduct a few interviews, complain about a particularly officious Near East censor and describe his Greek landlord, who had armed himself to the teeth to defend his hotel in the event of rioting. The Mudanya conference, of course, would turn out to be a diplomatic triumph for Ataturk, who was gracious in victory. The Greeks were given time to peacefully withdraw beyond the Maritza River (the present-day border of Turkey) while the Turks waited patiently to take possession of their territory.

Hemingway moved on to Edirne to take in the Greek departure from Eastern Thrace. Once again witness to one of the many seismic movements that would mark a turbulent century (a movement reenacted by the Turks in Greece who were forcibly relocated to Anatolia), Hemingway pulled no punches.

"The main column crossing the Martiza River at Adrianople (Edirne) is twenty miles long. Twenty miles of carts drawn by cows, bullocks and muddy-flanked water buffalo, with exhausted, staggering men, women and children, blankets over their heads, walking blindly along in the rain beside their worldly goods."

Though Hemingway was in Turkey less than a month, his time here served as an important education in war correspondence. Throughout his career, Hemingway would recreate images of conflict in sharp declarative sentences. His World War I career led to Farewell to Arms; his time in the Spanish Civil War yielded For Whom the Bell Tolls. It was in Turkey, however, that Hemingway really cut his teeth. As for the man himself; he returned to his wife in Paris with a face criss-crossed by insect bites and a head so lousy from sleeping in a Thracian boarding house that he had to shave off his hair.

Source

Does Media Help Us Appreciate Life In Its Fullest?


By John Sanidopoulos

Modern media, whether it is literature, film or any other, often is dark, depressing and full of angst. It identifies with the modern soul, and helps those with similar emotions and thoughts feel as if they aren't alone in their lonely and confused existence. When coupled with a moral foundation or ending, it can be quite powerful in expressing existential truths and give some meaning where meaninglessness seems to reign. And if we can't identify with tragedy, then maybe we can at least learn something from the tragedy of another.

What most modern storytellers fail to grasp however is how to elevate their audience to experience the higher emotions and invite a more virtuous and meaningful life. Who would not welcome a feeling of hope, good cheer and gratitude, especially if they are living a lonely and confused existence. Is it not better to elevate such a soul rather than merely identify with it? To free it rather than philosophize on its enslavement?

Stories help to create ethics, and it is not a coincidence that the modern Greek word for actor is ηθοποιός (ithopoios), which is literally translated as "one who creates ethics". Is it any wonder why someone like Charles Dickens is not only considered by many as the greatest storyteller of all time, but he is also considered the first and greatest celebrity of the 19th century? He not only identified with the sufferers of his society, but he elevated those stuck in the gloom of daily existence to feel good about goodness and inspired virtue in the process. One only need to read A Christmas Carol to see how effective he was in doing this. He, as well as the few others like him, such as Fyodor Dostoevsky, grasped something other writers would like to have grasped. But too often, as they come within reach, it eludes them.

We all know deep down inside that life is important, yet how much do we appreciate it and how much do we cultivate this appreciation within us by enhancing it? What inspiration drives us to appreciate life in all its fullness?

One story that answers these questions quite well is the classic play Our Town by American playwright Thornton Wilder. It is a character story about an average town's citizens in the early twentieth century as depicted through their everyday lives (particularly George Gibbs, a doctor's son, and Emily Webb, the daughter of the town's newspaper editor and George's future wife).

Emily eventually dies in the story while giving birth. As her coffin is brought to the cemetery and buried, she emerges from among the mourners as a spirit. She joins her dead relatives and fellow townsfolk in the graveyard. The dead tell her that they must wait and forget the life that came before, but Emily refuses. Soon Emily's ghost learns it is possible to re-live parts of her past. Despite the warnings of Simon, Mrs. Soames, and her mother-in-law Mrs. Gibbs, Emily decides to return to Earth to re-live just one day of her life, her 12th birthday, and is escorted by the Stage Manager, who is the narrator of the play. By this experience she learns why she was warned against entering into such an experience, and the distress she feels stems from the fact that she never stopped during her short life to appreciate life in its fullest. Her last full day of life slips by so fast that she doesn't have time to fully savor it.

The scene of the play from the last paragraph comes in Act 3. I encourage everyone to see Emily Webb's cemetery monologue dramatically played out in the first video (see here) and the second video (see here). The key point of the play comes at the 1:39 mark of the second video where Emily asks: "Do any human beings ever realize life while they live it, every, every minute?" The answer she receives from her escort speaks an eternal truth that echoes what we should all aspire to in order to truly live and appreciate life, as much as possible, to its fullest.

(To get the answer, watch the two linked videos, especially the 1:40 mark in the second video.)

Ecumenical Patriarch Blesses "The Great Orthodox Christian Encyclopedia"


This past week an Orthodox Christian encyclopedia was announced for publication in Greece and blessed by the Ecumenical Patriarch. It is titled The Great Orthodox Christian Encyclopedia and will consist of 12 volumes. They will cover the following topics:

1. History of the Orthodox Church
2. Theology of the Orthodox Church
3. History of the Ecumenical Patriarchate
4. History of the Primary Patriarchates
5. History of the Church of Greece and other Atocephalous Churches
6. History of Metropolis' and Holy Monasteries of Orthodox Lands and Missions
7. All Orthodox Theological Schools
8. Lives of Saints and Contemporary Elders
9. Lives of Hierarchs, Abbots and Theologians
10. The Works of the Fathers and Ecumenical Synods
11. Encyclopedia of Holy Scripture
12. Interpretation of Liturgical Life
13. General religios, ethical, communal, non-Orthodox, and non-Christian subjects
14. History of Ecclesiastical Art
15. Issues of Spiritual Guidance
16. Ecclesiastical and Religious Philology
17. Basic works of Modern Greek regarding the Church
18. Orthodox publications, magazines, periodicals, both Greek and foreign
19. Guide to Orthodoxy on the Internet

These volumes will be rich in photos, icons and maps. 20,000 topics will be covered in 8,000 pages. The first volume will be issued this Pascha.

Read more here and here.

The Church of Panagia of Finikia and Lord Byron


Near the site of Lord Byron’s house in Messolonghi and the Garden of the Heroes, which is a memorial garden commemorating the Philhellene Europeans who fought in the Greek War of Independence, is the island Chapel of Panagia of Finikia (Panagia of the Palms). Lord Byron especially loved this place and would often come here to rest and enjoy an evening equestrian excursion. The church was built in 1804.

Regarding Lord Byron's view of Greek Orthodoxy, as a Christian himself who read a chapter of Scripture daily, he respected the fact the Greeks were Christians, and did not want any Christian dominated by the Muslim Turks. Furthermore, he would argue against Christians from the West coming into Greece doing missionary work following their liberation, since his liberal opinion honored the free choice of people, and believed that the Greek priests should be given a chance to teach the people their inherited Faith.






Pascha With Papadiamantis: Lessons from a Panegyrist



Christopher Tripoulas
May 04, 2011
The National Herald

There are few opportunities like Holy Week to gain empirical knowledge and partake in the Philokalic (love of beauty) Hellenic tradition that masterfully comes to life each year in Greek Orthodox churches and homes all over the world. The Orthodox Christian mentality is expressed in our persistent focus on the Resurrection. While various creeds follow the Passion, and even honor it, they view it within the narrow prism of “The satisfaction of God's divine anger,” and their churches remain silent after Good Friday. In the Orthodox Church, the Holy Passion is venerated, because it illuminates what is to come; because the faithful know that after the Cross comes the Resurrection! This was and will remain the good news that Orthodoxy preaches to the world. It’s this very “good news” that Greek tradition has sought to identify itself with. Since ancient times, Hellenism has stood out for its ability to “organically digest” new elements and incorporate them into its existence. It is no surprise that it lends its full passion and grace and abilities towards glorifying the greatest of all such elements: the voluntary self-sacrifice of the Incarnate God and His subsequent Resurrection, to save mortals from death. Famous Greek author Alexandros Papadiamantis (widely known as the Dostoevsky of Greece) – whose 100-year memorial anniversary is being widely commemorated this year – describes Holy Week most eloquently in so many of his short stories and articles: “… the incense drifts in blue fragrant wreaths and forms a fleeting surround for the girls, in their embroidered aprons and white sleeveless jackets, come bearing armfuls of roses and violets and sheaves of rosemary and proceed to heap mountains of flowers on the humble Epitaphios, which needs no further embellishment.” In her blog This Side of Glory, the author Grace discusses this beautiful short story (A Village Easter), noting, “Who doesn’t know what he means? The liturgical worship we have looks so serious to our Protestant friends that they never guess how very human it can be — laughter and tears and all the rest that are forever tinged in my memory with the most sacred and eternal aspects of worship.”

In an article on Pascha, Papadiamantis compares the joy that the Church feels over the feast of Pascha to an inexplicable “inebriety” that a bride feels upon regaining her groom. “The Greek people feel this sublime drunkenness in their hearts more than any other people. No other Christian holiday holds that place that Pascha holds for them. The Westerners have Christmas. We have Pascha. It is the queen of all holidays and the feast of feasts.” He goes on to note that “the Greek nation’s Pascha rises and sets with the noisy dispersion and supreme exultation of the people, who still have drops of blood running in their veins from their wild and unbridled ancestors, who are lulled by the love of freedom.”

Papadiamantis notes that, “When the Greek people say the word Resurrection, a secret chord is struck in the depths of their heart, reminding them of the Resurrection of the nation as well, and Christ and Country meet together, equally suffering and equally divine. And when the Greek people say the word Love (Agape), they are speaking the sweetest of words, preeminently underscored in the Gospel and proclaimed in the teachings of St. Paul, which has remained in the Greek language as the quintessential passionate and heartfelt word, by which every affection, and every romantic feeling, and every devotion are expressed. Nothing is separated in the Greek tradition. That’s why the Crucifixion cannot be seen separately from the Resurrection. That’s why there’s no place for Puritanism in Orthodoxy. Pascha is a combination of sublime hymns, prayerful devotion, drama, as well as fireworks, dancing, celebrations, delicacies, and local traditions that vary from village to village and parish to parish. Pascha encompasses our lives – and for one week, it becomes our life, pointing to a more perfect way of living. Papadiamantis sums it up the best: “For my part, as long as I live and breathe and am of sound mind, I will never cease, especially during these resplendent days, to praise and adore Christ, to depict nature lovingly, and to represent with affection those customs which are authentically Greek.” Christos Anesti! 
 

New Fiction/Fantasy Novel By Orthodox Christian Author


An Orthodox Christian friend of mine sent me the following information about a new novel he wrote and published in the Christian Fiction/Fantasy realm that I believe would be of interest to many of my readers. Below is a letter he sent me together with a synopsis of the book and ordering information. Read more about him and the book here.

Dear John,

For consideration, I would like to introduce you to a new book in the Christian Fiction/Fantasy realm called “The Crimson Knight”. From the feedback and testimonials we’ve collected, this book has indeed helped individuals who have dealt with abuse in the past, whether it is emotional or physical abuse, forms of addiction and even divorce. The antagonists in the book are likened to the deadly sins, and the spiritual warfare is very real in the book and hits to the heart of the reader.

“Demetrious, I felt that "The Crimson Knight" was written just for me. The battles are many, but, we must keep our eye on the light, the light of our Salvation, Christ.” — N.J.K., from New Hampshire

“Dear Demetrious, I said that I would tell you what I thought of "The Crimson Knight" after I finished reading it, so here goes. As I write this, I pray that it will encourage you in your calling Papa God has placed upon you. Each chapter of this book spoke to me and touches all aspects of my life. Like Sabastian, I lost my childhood at a young age. No, my family was not all taken from me. None the less, my childhood was gone. For it was through abuse, betrayal, and unmentionable pain. The abuse was all forms. I grew up fast learning how to protect myself and my brothers and sisters. I lived in a fantasy world, school, and books to cope with life. Like Sabastian, I thought there had to be a better life than this, if not, why was I even born to live this way. And, if there was no way out why bother? Then there was a tugging at my heart at 15-16 yrs of age and only reading God's Word eased the tugging. That is when I started going to a Church of God. At that church, I met face to face with "the Knight who is the Light", the one true God. I wanted to be baptized at that time, but since I was under age, my dad said no, so I could not. Right after that, we moved again. Every two to three years, we would move so none of the family secrets could come out. That was basically the way it was for me and my brothers and sister, Not until I married some 30+ yrs ago. I have lived in one town, had two of my children here. Then I found "the Knight who is the Light", the one true God here. I believe in the manner that you have incorporated the Word of Papa God throughout the book is going to touch a lot of hurting people. For through "The Crimson Knight", they are going to be able to see the light at the end of the tunnel and they will know it is not an on coming train, and know it is the light of Hope, Mercy and Grace to mend them, save them and lead them to our Lord Jesus Christ. It also will talk to those of us that walk with "The Knight who is the Light" and have the relationship with Him. The last chapter of this book took me back through my life where I came from and where I am at today. To appreciate all I have in my life, the Good, Bad and Ugly. For each is a blessing to this Child of Papa God. For I was wounded and He healed me, I was blind and He gave me sight. Demetrious, your book is a good tool to God's work. I believe it is going to open many doors for you.” — R.W. from Colorado

“Your book made me re-visit my past: my divorce, abandonment and the emotions I had during that time. Your book, the words God gave you to write helped me find understanding. It was like your book spoke directly to me.” — L.I. from Florida


This book was initially written to be of support to the youth of the church, those who are blinded by the magic and allure of Harry Potter instead of finding their faith in Christ. This book is the connecting bridge for the youth who focus on the violence of video games, action of movies and the desire to ‘be cool’ and follow their own path that usually leads them away from Christ.

From what I learned in seminary and witnessed by ministering to the youth in parishes, a lot of the youth and young adults are removed from their faith & their connection to God. The fantasy, gaming & adventure realms are what draw them in and occupy their time. Worship services and prayer time is minimal to nil for these individuals. My prayer and hope is that these books and games will stir curiosity into their religious beliefs and make them awaken to God.

The idea is to plant the seed and water it with the fantasy, and nurture it by bringing the Triune Godhead as the heroic force in the main character’s life. That the character’s personal quest encourages the reader in their own journey.

Please take the time to read the sample book enclosed, and if you feel moved by the Spirit, please order some books for your youth group, bookstore, book club and/or young adults.

Thank you for taking the time to review the information presented and may God bless you,

Demetrious E. Glimidakis, M.Div.
Author

SYNOPSIS:

The Crimson Knight

by Demetrious Glimidakis

I have ruined many under the hooves of my horse, and their screams,oh their terrible screams constantly fill my head. Am I any different than the evil that destroyed my world? The evil that I kill?

I have become a man that even I do not know.


Sabastian wants to be free. He is looking for forgiveness, peace, and somewhere to call his home. But he is at war with an unrelenting enemy: The world. After seeing his family and community brutalized by invading forces, Sabastian is kidnapped and taken to a foreign land where he is trained to be a warrior. Deep in his heart there burns a poisonous hatred and desire for revenge against the people who killed his family. He tries to serve The Knight who is the Light but seems to constantly fail and succumb to the violence of his new identity. But faith may find him when he least expects it, and salvation may be the only thing left worth fighting for. Will Sabastian overcome his pride and anger to follow the Knight who is the Light? Will he summon the strength necessary to defeat the Dragon King and restore peace to himself and his loved ones?

264 pages - $14.99 (paperback)
Digital Download Available for $8.99

ISBN: 978-1-61739-957-2
Release date: May 24th, 2011

Mr. Glimidakis earned a Bachelor of Arts degree at Hellenic College and a Masters of Divinity degree from Holy Cross School of Theology in Brookline, MA and is in pursuit of ordination to the holy priesthood in the Greek Orthodox Church.

Ordering & Distribution Info:

Individual books may be obtained from:

Amazon.com
http://www.amazon.com/Crimson-Knight-Demetrious-Glimidakis/dp/1617399574/ref=sr_1_1?s=books&ie=UTF8&qid=1304459201&sr=1-1

BarnesAndNoble.com
http://search.barnesandnoble.com/The-Crimson-Knight/Demetrious-Glimidakis/e/9781617399572/?itm=1&USRI=glimidakis

Christian Broadcasting Network e-Store
http://shop.cbn.com/cbn/item.The-Crimson-Knight-Glimidakis-Demetrious.9781617399572.htm

Trinity Broadcasting Network e-Store
http://www.tbnwebstore.org/product.asp?sku=9781617399572

ironknightproductions.com
https://ironknightproductions.com/

Check your local bookstore and/or Christian bookstore for your copy.

Parish & Bookstore books in bulk may be obtained from:

Cokesbury.com
http://www.cokesbury.com/forms/ProductDetail.aspx?pid=1004040

Tatepublishing.com
http://tatepublishing.com/bookstore/book.php?w=978-1-61739-957-2

Digital download available at:

Tatepublishing.com
http://tatepublishing.com/bookstore/book.php?w=978-1-61739-957-2

James Joyce and Orthodox Holy Week


By John Sanidopoulos

James Joyce (2 February 1882 – 13 January 1941) was an Irish novelist and poet, considered to be one of the most influential writers in the modernist avant-garde of the early 20th century. In a 1922 New York Times profile of Joyce, the following was told of him: "Mr. Joyce has no reverence for organized religion, for conventional morality, for literary style or form. He has no conception of the word obedience, and he bends the knee neither to God nor man." Yet what we find evident from his own testimony and that of his friends is his appreciation of the music and rituals of Orthodox Holy Week services, which he took every opportunity not to miss, whether it be in a Greek or Russian church.

In the autumn of 1904 he moved to Trieste to teach at Berlitz language school, where there was a large well-established community of diaspora Greeks. It is around this time that he begins to attend the Church of San Nicolo dei Greci, a Greek Orthodox Church in Trieste. Joyce reported to his brother Stanislaus that a colleague at his school had tweaked him about his ambiguous irreverence: "He says I will die a Catholic because I am always moping in and out of the Greek Churches and am a believer at heart: whereas in my opinion I am incapable of belief of any kind" (Letters II:89).

Nearly thirty-five years later, in Paris in 1938, Joyce used an "obligation" to attend an Orthodox Good Friday service as an excuse to avoid the unpleasant prospect of an invitation to an early dinner:

"But today she [Mrs. Turner] rang up to ask us to dine on Friday at 7:30! (6:30 pm real time) I am going to say I have to go to the Greek church - perfectly true it is their Good Friday - and can't get out till 8 at least so I am coming at 8:15 at least" (Letters III:420).

Throughout his life Joyce liked to attend Holy Week services, at various ecclesiastical venues whether it be in an Orthodox or Catholic church. A friend from Trieste, Alessandro Bruni, recalls the following of Joyce's regular attendance at Holy Week services:

"In his house there is no religious practice, but on the other hand there is much talk of Christ and religion and much singing of liturgical chants. I can go even further. You had better not look for Joyce during the week before Easter because he is not available to anyone. On the morning of Palm Sunday, then during the four days that follow Wednesday of Holy Week, and especially during all the hours of those great symbolic rituals at the early moring service, Joyce is at church, entirely without prejudice, and in complete control of himself, sitting in full view and close to the officiants so that he won't miss a single syllable of what is said, following the liturgy attentively in his book of the Holy Week services, and often joining in the singing of the choir."

Bruni writes that he had seen Joyce cry "secret tears" at hearing Jesus' words on the cross, "Eli, Eli, lamma sabactani". Joyce's sisters also noted James "devotion" to the liturgies of Holy Week:

"During Easter week he behaved in a way that seemed odd to his sisters. Too fond of the liturgy and music to forgo them, but determined to make clear his indifference, he avoided going with Eileen and Eva or sitting with them. Instead he came by himself and stood in a corner; and when the mass was over left quietly without waiting. He did not attempt to dissuade his sisters from going, but made clear that his own motive was esthetic, not pious."

A friend in Paris, Mercanton, in the late 1930's reports that Joyce told him "that Good Friday and Holy Saturday were the two days of the year when he went to church, for the liturgies, which represented by their symbolic rituals the oldest mysteries of humanity." His brother Stanislaus reports the same. Mercanton's memoir also includes a comment on Joyce's qualified enthusiasm for the chants of Slavic Orthodoxy: "Speaking next about Russian churches, where he [Joyce] loved to hear the deep, bass voices of the officiants, he said that he could not understand my fervent admiration for the Oriental ritual."

Throughout his writings, Joyce alludes to Eastern Orthodoxy. However his knowledge was not deep, as his main source of information was the Encyclopedia Britannica. Yet he had a deep appreciation for the music and aesthetic of Orthodox services which he felt were best experienced during Holy Week.

Sources:

R.J. Schork, "James Joyce and the Eastern Orthodox Church" in Journal of Modern Greek Studies, vol. 17, 1999.

Dennis Michael Shanahan, The Way of the Cross in James Joyce's "Ulysses" , 1983.


Below are photos from San Nicolo dei Greci in Trieste, where James Joyce often attended Liturgies and Holy Week services:




Oscar Wilde and the Greek New Testament

Oscar Wilde dressed in 19th century Greek costume.

By John Sanidopoulos

Oscar Wilde was sometimes called the "apostle of beauty"; he once said "the Greek text of the Gospels was the most beautiful book in the world."[1]

From a young age Wilde showed a remarkable flair for the classics. At the Portora Royal School, where he’d been sent in the autumn of 1864, just before his tenth birthday, he won the classical medal examination with his extempore translations from Aeschylus’ Agamemnon (the tragedy he loved above all others) and the Carpenter Prize for his superior performance on the examination on the Greek New Testament.

A popular anecdote says that in his viva voce examination for Divinity at Oxford, Oscar Wilde was required to translate from the Greek version of the New Testament, which was one of the set books. The passage chosen was from a very difficult pericope, Acts 26, which is full of obscure nautical terms relating to St. Paul's shipwreck [some say the passage was from the Passion of Christ]. Wilde began to translate, easily and accurately. The examiners were satisfied, and told him that this was enough. Wilde ignored them and continued to translate. After another attempt the examiners at last succeeded in stopping him, and told him that they were satisfied with his translation. "Oh, do let me go on," said Wilde, "I want to see how it ends."

His interest in the New Testament is shown by the fact that the book he put first on a list of books he requested when imprisoned for sodomy was a Greek New Testament, which aided in his repentance. It seems the English translation could not satisfy him, for he said: "When one returns to the Greek, it is like going into a garden of lilies out of some narrow and dark house."

1. Peter Levi, The Hill of Kronos (New York: E.P. Dutton, 1981), p.10:

"But I came late to Greece, at the age of thirty-two, in 1963. I had started to learn ancient Greek as a schoolboy, at a school where Greek was hardly taught. All I knew about Greece then was the Elgin Marbles, of which I treasured some sepia-tinted and forbidding postcards, and the fact that Oscar Wilde, who in the summer of my fourteenth birthday had just become my literary idol, said the Greek text of the Gospels was the most beautiful book in the world. So I demanded to learn Greek, and changed schools in consequence. From that time I have never ceased to study the Greek language."

For Further Interests:



Fr. Alexis Trader's New Book On Orthodoxy and Psychotherapy


The following is the first in a series of four guest posts from Fr. Alexis Trader, a priestmonk and spiritual father of Karakallou Monastery on the Holy Mountain, and author of In Peace Let Us Pray to the Lord: An Orthodox Interpretation of the Gifts of the Spirit. Fr. Alexis has recently released a new book and it is about his new book that he now writes. (The second through fourth posts will be posted elsewhere, please see the posting schedule at the end of this post.)

Behind Ancient Christian Wisdom and Aaron Beck’s Cognitive Therapy: A Meeting of Minds

Monks are by nature introspective creatures. We turn inward in prayer in order to meet our Savior. We also try to stay active in mind and body. We turn to serve our brother in love and in so doing we encounter our Lord once again. The union of theoria and praxis, thought and action, makes for a joyous monastic life. Sometimes, however, sincere monastics get bogged down and their lives seem quite different from what is described in the lives of the Saints and books by contemporary luminaries. Critical thoughts take hold of our minds and sluggishness characterizes actions that should be a source of joy and gladness.

What goes wrong? Certainly, a large part of the answer to this question lies in the passions and the providential withdraw of divine grace. But perhaps, another part of the answer can be found in the monk’s personal history, tendencies, and vulnerabilities that made up his personality long before entering the monastery. In that case, might a contemporary school of psychotherapy, grounded in empirical study and focused on cognition and behavior have something important to say?

With that introduction in place, I should mention that I have been an Orthodox monk for nearly twenty-five years. I lived on the Holy Mountain for a decade during which time I got to know some wonderful fathers who tasted the most sweet fruits of the prayer of the heart and intimate communion with Christ. I also encountered novices and monks discouraged by the struggle and wondering why those same fruits seemed beyond their reach. I saw acts of self-sacrifice and love that moved me deeply. I also was saddened to see others who were so obsessed with certain thoughts that they missed opportunities to serve their brethren and although they desired to act virtuously and to love sincerely, insecurities, feelings of inferiority, and suspicions compelled them to react in ways that they themselves deplored. My heart went out to those monastics. I prayed for them, but what else could I do?

While at the Monastery of Karakallou on the Holy Mountain, I came across the works of the influential spiritual father, Father Simeon Kragiopoulos. In his Do You Know Yourself? [in Greek], he offered a Christian Orthodox reading of Karen Horney’s Our Inner Conflicts. In this and other works by Fr. Simeon, he suggests that certain psychological problems can prevent a person from progressing in the Christian life and need to be resolved so that the Fathers’ teachings can be received and applied in a way that is salutary and salvific. This suggestion was the seed for Ancient Christian Wisdom and Aaron Beck’s Cognitive Therapy: A Meeting of Minds, but in the full life of an Athonite Monastery, I lacked the time for any serious exploration of such topics.

In 2005, when I was sent to celebrate the liturgical services at a dependency of Karakallou, the Monastery of Saint Demetrius at Nea Kerdyllia, I developed a heart condition that made it impossible for me to return to the Holy Mountain and follow the way of life there. With more time on my hands and in order to avoid idleness, that mother of the vices, I decided with my Elder’s blessing to begin to explore the teachings of the Church Fathers and modern psychologists on the thoughts. I was already quite familiar with traditional ascetic literature such as The Philokalia, The Ladder of St. John Climacus, The Homilies of Saint Isaac the Syrian, and other holy fathers as well as the writings of contemporary elders, in particular the Elder Paisios who repeatedly emphasized the need for good thoughts [logismoi]. Psychology was at the time an unexplored terrain that I had been somewhat suspicious of in the past. After reading the works of Karen Horney, Harry Stack Sullivan, Eric Erickson, Sigmund Freud, Victor Frankl, Albert Bandura and others, I came across the works of Aaron Beck. What struck me concerning this final figure was that Beck’s works were simply an application of the scientific method to thoughts and behavior without an inordinate amount of esoteric theories around nebulous concepts. His ideas could be observed, tested, and verified easily in day-to-day life. I should mention that I was originally trained in the hard sciences before becoming a monk and Beck’s approach meshed well with my scientific background. So my thinking went if I could find a way to connect Beck’s insights with those of the Fathers, I would have something valuable to offer spiritual fathers and those who are suffering. Thus inspired, I began reading more intently, researching more extensively, and praying more earnestly until I had about 5,000 note cards (As a writer, I am rather old school) with citations from the Fathers and cognitive therapists on mental/spiritual health. As I sorted and sifted, an amazing amount of common ground began to emerge and I could see the framework of a book taking shape.

In order to make sure that I would not stray from the Fathers’ teachings, I contacted Professor Anestis Keselopoulos, a specialist in the writings of Saint Gregory Palamas and author of the book, Passions and the Virtues, which I had translated many years earlier. Realizing the dangers of trusting in one’s own judgments and opinions, I wanted to pass every chapter that I would write by him. And so the book also became a doctoral dissertation. Professor Keselopoulos was very enthusiastic about the work as were the other six professors present at the defense, including specialists in psychiatry, dogmatics, pastoral counseling, patristics, and the interface between Christianity and culture. They all were emphatic that this dissertation should not only be published in book-form and enter the university libraries of the West but also find its way into the hands of pastors and counselors helping those who suffer.

Peter Lang International Academic Publishing Group has now published this work, which can be ordered from Amazon: http://www.amazon.com/dp/1433113627.

(For those unfamiliar with academic presses that produce a limited number of monographs for university libraries, the book will unfortunately seem rather expensive. I would encourage those who wish to read the book, but find it outside their budget, to approach their local college or public library about the possibility of purchasing it. Perhaps, groups of five could purchase it as a donation for their parish library or the pastor’s library. If the hardbound copies sell well, a less expensive paperback may be on the way).

If you would like to read more, please follow the rest of this series of blog posts:
Post #2 – March 25th: http://janotec.typepad.com/terrace/
Post #3 – March 28th: http://voxstefani.wordpress.com/
Post #4 – March 31st: http://www.bombaxo.com/blog/

For More:
http://orthodoxinfo.com/phronema/introduction-to-ancient-christian-wisdom-and-aaron-becks-cognitive-therapy.aspx

HTTP://ORTHODOXINFO.COM/PHRONEMA/CULTIVATING-THE-GARDEN-OF-THE-HEART-CH-9-ANCIENT-CHRISTIAN-WISDOM-AND-AARON-BECKS-COGNITIVE-THERAPY.ASPX

Movie: Dostoevsky's "The Grand Inquisitor"

The Glories of Byzantium


Maligned for centuries, the empire that checked the Ottoman advance into Europe is today being celebrated.

Judith Herrin
March 12, 2011
The Wall Street Journal

One of the world's great empires is on the move, in our imaginations and in the place that it occupies in our understanding of the modern world. Byzantium used to call to mind a sterile, bureaucratic and yet violent society, corrupted by fatuous complexities. The worst failings in our own societies would be described as "Byzantine."

But over the past 20 years this image has begun to shift in important ways. Two great exhibitions at the Metropolitan Museum of Art (in 1997 and 2004)— and more recent ones in Paris, London and Bonn—brought a large audience face to face with a thousand years of riveting artistic achievement. And a new generation of scholars has emerged, re-evaluating the very idea of Roman decline or Dark Ages and arguing that the barbarian forces that occupied the empire's western provinces adopted, adapted and thus perpetuated many of the Roman methods of administration. The term "Late Antiquity" embodies this long period of transition, which transformed the Roman world while integrating aspects of Latin culture with the Christian hierarchy of bishops and monks, who were themselves often recruited from the senatorial classes. At the same time, the recent emergence of an Islamic challenge to the West has urged our engagement with the Christian power that first withstood Muslim attacks and defended Europe's eastern frontier for centuries.

Byzantium is unusual among empires in having a precise beginning and end. Constantinople was inaugurated by Emperor Constantine I in 330 and fell to the Ottoman Turks in 1453. And across that long millennium it developed from being the eastern half of the vast Roman Empire into a brilliant medieval state that expanded into the Balkans, the Caucasus and southern Russia before being split into three separate units when Constantinople was occupied by the Latin crusaders between 1204 and 1261. It was restored to Byzantine rule, but the state gradually shrank to just the city and a few outposts in mainland Greece.

The excellence of Byzantine administration—hardly Byzantine at all by our usage—is nowhere clearer than in the power of the Byzantine standard gold coin, the solidus (known as the bezant in medieval Europe). First issued by Constantine I in the early fourth century, it retained its 24-carat value and was the coin of choice in international trade for more than 700 years. It took a self-conscious and creative government to manage this extraordinary achievement: one that puts to shame our present devalued currencies and monetary instability.

Even after Byzantium's conquest by the Ottomans in 1453, its culture and traditions continued to be felt far and wide. Czarist Russia claimed to have replaced Constantinople as the leading patriarchal see and styled Moscow as the "Third Rome." The court rituals of Louis XIV's Versailles mimicked the Byzantine imperial ceremonies, creating an elaborate pyramid of family relations with court officials in fixed proximity to the monarch and distinguished by specific costumes and weapons. Even the British coronation ceremonies can trace their origin back to Byzantium. And in many regions the Orthodox Church still sustains the Greek liturgy, so richly endowed by Byzantine contributions.

In this way, an enormous pile of booty "transformed the crusading paupers into the richest citizens," as one Western monk put it. The famous horses of San Marco were robbed from Constantinople's Hippodrome and mounted on the façade of the cathedral of Venice—which is itself a tribute to the Byzantine architecture of the dome, perfected six centuries earlier in the cap ital's great cathedral, the Hagia Sophia ("Holy Wisdom"). In the years after 1204, a vast number of Byzantium artifacts, silks, ivories, enamels and jewels found their way into western cathedral treasuries.

The very designation "Byzantium" is a further complication (specialists dispute the name to be given to this empire). During the life of the empire, the term was reserved for Constantine's city, originally a Greek colony called Byzantion, whose inhabitants liked to vaunt their identity as "Byzantines." All the others who lived within the vast imperial borders called themselves "Romans," and they knew that their empire was Roman. Yet the adjective "Byzantine," first adopted by 16th-century humanists to distinguish east from west, is more than just a convenience; it recalls the city's original pride and draws attention to the extraordinary vitality of an empire that perdured with such success after the western empire's collapse. Constantine I's decision to be buried in a Christian mausoleum in the city set in train the process that helped to make Byzantium a Christian Roman Empire. All his successors wanted to be interred beside him, eventually creating a shrine to the Christian rulers of the Roman Empire.

So why has this remarkable empire for so long been perceived as abhorrent and rebarbative, when not being dismissed? The neglect of Byzantium by historians may be traced to the sack of Constantinople in 1204 by members of the Fourth Crusade. The crusaders justified their plunder and desecration of churches and monasteries by projecting onto the city and its civilization all their own worst faults: The eastern Christians were condemned as schismatics or even heretics; their wealth was therefore ill-gained and undeserved.

From the beginning, Byzantium manifested highly creative and original impulses to re-fashion rich, pre-existing traditions. Its inner Greek fire came from a unique combination of traits. When Constantine created his new capital, he brought together Roman administrative skills, law and military traditions; the Hellenic wisdom long sustained by ancient Greek education; and the dynamic new Christian belief (which later became the state's driving force). As he fought his way from York to Rome and on to the east, Constantine came to know these strengths at first hand. Like most Romans, he appreciated the superiority of ancient Greek culture, which provided the essential education for all ambitious men—and some women, like Hypatia, the fourth-century philosopher and mathematician. By the fifth century, Constantinople had schools to rival those of Athens and Alexandria (and Beirut for law), with teachers paid directly from the imperial treasury. This re-fashioning genius can be physically experienced today in the Hippodrome of Istanbul—the Roman race track, almost in the shadow of the Hagia Sophia— where Greek and Latin inscriptions appear on the base of an obelisk that originally commemorated a pharaonic military victory of the second millennium B.C.

The city quickly generated a highly sophisticated work force. Its artisans produced the Mediterranean world's most elegant silks, carved ivories and gold enamels. Its engineers constructed the immense walls that kept all enemies out of Constantinople until 1204. The recent excavations of the harbor of Theodosius (today Yenikapi) have yielded more than 30 boats and their cargoes and shown how the capital attracted traders and craftsmen from across the Mediterranean. Venice, Genoa and Pisa established quarters within the city, while Syrian and Russian merchants stayed in particular residences when they came to trade. In the 1090s, as the western forces of the First Crusade arrived at Constantinople, they were overcome with awe at the wealth and sophistication of the eastern capital, the like of which they had not even imagined. The city was larger than any in Western Europe, with a population of about 500,000— a level not attained by Paris until the 17th century.

Byzantine innovations began attracting the interest of modern historians between the wars. Among the most notable was Robert Byron, whose discovery of the neglected empire produced the highly romantic and alluring views of "The Byzantine Achievement" (1929). In contrast, Jack Lindsay, in "Byzantium Into Europe" (1952), emphasized how Byzantium acted as a buffer between Islam and Europe. Steven Runciman's well-researched and elegantly phrased books established a sympathetic appreciation of Greek Orthodoxy, particularly notable in "The Fall of Constantinople, 1453" (1965) and "The Great Church in Captivity" (1968). (It also permeates his great three-volume "History of the Crusades," an eminently readable account now criticized precisely for its fluency.) Runciman's "Byzantine Civilization" (1933) remains a short, accessible account that still repays reading after 75 years. Such historians established, half a century ago, how difficult Byzantium's position was between aggressive states east and west.

Academic authors have been less skilled at presenting their research in accessible ways—though I hope that my "Byzantium: The Surprising Life of a Medieval Empire" (2007) is an exception. But the contemporary interest in east-west conflict and how empires collapse has brought new readers to major reassessments of Byzantium's historical significance and helped to extend the study of the "barbarian" forces that sought to bring down empires. Both Peter Heather's "Empires and Barbarians " (2009), although it only treats the first millennium A.D., and John Darwin's "After Tamerlane: The Rise and Fall of Global Empires, 1400-2000 " (2007) consider Byzantium in such a comparative perspective.

It was the rise of Islam that ultimately undermined the dominion of Christian Byzantium. The empire checked the first great wave of Muslim expansion in the 630s, and by 740 a more secure border with the caliphate in Damascus was established at the Taurus mountains in southeastern Turkey. The empire had lost the rich provinces of Egypt, Palestine and Syria but over the years restored imperial control in areas of Armenia and northern Syria. Challenged by the Bulgars in the west, Byzantium also fought many campaigns in the Balkans; it always had to balance the two very distant fronts with the immense lines of communication and logistical support extending from the Caucasus to the Adriatic.

The last phase of Byzantine power, from 1261 to 1453, was marked by military failure and shrinking control but also by a great cultural explosion. Architects and painters constructed and decorated churches and monasteries with brilliant mosaics and frescoes in all parts of the empire: the Chora monastery in Constantinople and those of Mount Athos, churches at Trebizond on the Black Sea and Mistras in the Morea (in southern Greece). Icon painters, silversmiths and manuscript illuminators produced exquisite liturgical objects (for example, the manuscripts commissioned by Emperor John VI Kantakouzenos in the 1350s).

In intellectual pursuits, Byzantine scholars learned Latin and translated works of Augustine and Aquinas, leading to greater knowledge of western theology; they also copied and added to the Byzantine repertoire of epigrams, scientific writings and collections of letters. Jonathan Harris's new study, "The End of Byzantium" (Yale University Press, 298 pages, $40), shows expert knowledge of the Greeks in the west and of cultural trends in humanistic thought and explains the attraction of Latin theology for many Byzantine intellectuals. Mr. Harris provides a sympathetic reading of the civil wars and conflicts engendered by the empire's fundamental problem in this era: how to balance Byzantine traditions with the need for military aid from the West in order to confront the Ottoman Turks.

Although emperors continued to look west for help, in 1453 the Byzantines faced vastly superior forces (armed with the latest in cannon technology) supported by only a few loyal Venetians resident in the city and a body of archers recruited by Isidore of Kiev and Bishop Leonard of Chios. It was a very unequal battle. In the end the Byzantines had to chose between east or west. While many aristocratic families fled to Venice, the peasants, who could not move, accepted Ottoman rule. It has been argued that their lives did not change much with the arrival of Mehmet the Conqueror.

We can celebrate today a great civilization that stretched from Novgorod to southern Egypt, and from Spain to the Euphrates. The millennium of Byzantine civilization profoundly influenced our modern world. Its achievements resonate and become clearer with every new excavation and major exhibition and historical analysis sympathetic to its surprising and lively character.

Ms. Herrin is professor of late antique and Byzantine studies at King's College London and the author of "Byzantium: The Surprising Life of a Medieval Empire" (Princeton).