Having entered the Christmas season, we ask those who find the work of the Mystagogy Resource Center beneficial to them to help us continue our work with a generous financial gift as you are able. As an incentive, we are offering the following booklet.

In 1909 the German philosopher Arthur Drews wrote a book called "The Myth of Christ", which New Testament scholar Bart D. Ehrman has called "arguably the most influential mythicist book ever produced," arguing that Jesus Christ never existed and was simply a myth influenced by more ancient myths. The reason this book was so influential was because Vladimir Lenin read it and was convinced that Jesus never existed, thus justifying his actions in promoting atheism and suppressing the Orthodox Church in the Soviet Union. Moreover, the ideologues of the Third Reich would go on to implement the views of Drews to create a new "Aryan religion," viewing Jesus as an Aryan figure fighting against Jewish materialism. 

Due to the tremendous influence of this book in his time, George Florovsky viewed the arguments presented therein as very weak and easily refutable, which led him to write a refutation of this text which was published in Russian by the YMCA Press in Paris in 1929. This apologetic brochure titled "Did Christ Live? Historical Evidence of Christ" was one of the first texts of his published to promote his Neopatristic Synthesis, bringing the patristic heritage to modern historical and cultural conditions. With the revival of these views among some in our time, this text is as relevant today as it was when it was written. 

Never before published in English, it is now available for anyone who donates at least $20 to the Mystagogy Resource Center upon request (please specify in your donation that you want the book). Thank you.



September 27, 2022

The Psychotherapeutic Value of Byzantine Ecclesiastical Music

 
 
By Stavros Balogiannis,
Emeritus Professor of Medicine at the University of Thessaloniki

Byzantine Ecclesiastical music is a peaceful, spiritual chanting, which aims to elevate the human soul from the earthly world to the heavenly. Invoking the spirit of peace, dispassion, tranquility, effective introspection, real insight and self-knowledge, Byzantine music, in a harmonious interweaving with the Byzantine iconography of our temples, becomes a way of purifying the psychosomatic state of man.

In the human mind, which suffers from the constant interference of contemporary secular music and the aggression, restlessness, sadness, competition, dominance, demanding and inevitable impasses of contemporary society, Byzantine music is the ideal remedy for restoration of internal homeostasis and the harmonization of the higher mental processes with the spiritual aspirations and ascents of the soul.

In the place of inner disharmony, which often drives human emotions into true confusion, Byzantine music is able to introduce the unique values of repentance, humility, praise, thanksgiving and gratitude, truly establishing precious inner harmony. With the existence of so many oscillations, vibrations and transitions in the psychological background of the human beings of our time, who are suffocated by the futility and the weight of constant ephemeral blissful pursuits, Byzantine music offers a secret treasure full of spiritual fragrance, contentment and exaltation, remorse, joyful-mourning, calm, peace and light.

Understanding the message of Byzantine music, the human soul prepares to receive the eternal mystery of the infinite mercy and love of the Lord, the wonderful light of the Resurrection and its destination for eternity.

Source: Excerpt from the article "The Philosophy of Byzantine Music from the Perspective of Neuroscience" - Proceedings of the 1st Int. Interdisciplinary Musicological Conference, 9 June-3 July 2014, Volos, Greece. Translation by John Sanidopoulos.
 

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