✠ Support the Mystagogy Resource Center ✠
For more than fifteen years, the Mystagogy Resource Center has provided thousands of free Orthodox Christian articles, translations, lives of saints, theological studies, and spiritual resources for readers throughout the world. Your support helps sustain and expand this one-man ministry and its ongoing work for the Church.
PayPal • Credit Card • Debit Card • Venmo

September 17, 2019

A Unique Icon of Saint Sophia in Mantzavinata on the Island of Kefallonia


In the village of Mantzavinata on the island of Kefallonia is the Church of Hagia Sophia dated to 1693. Over the years the church has been destroyed by earthquakes and restored again, especially after the devastating earthquake that hit the island in 1953, after which it was built to be earthquake-proof.

Though the Church of Hagia Sophia was probably originally dedicated to the Wisdom of God, like Hagia Sophia in Constantinople and many others prior to modern times, today it is dedicated to Saint Sophia the Martyr and her Three Daughters named Faith, Hope and Love. These Saints suffered martyrdom during the reign of Emperor Hadrian (117-138).

In this church is a magnificent and unique icon, large in scale and unsigned, depicting Saint Sophia in a full body posture, holding a cross in her left hand, and to her left and right are three miniatures each, on the left depicting the martyrdoms of her three daughters, and on the right are the tortures that they endured. This icon was painted by a remarkable iconographer of the 18th century.

The left miniatures from top to bottom depict the beheadings of Hope then Faith then Love. The three miniatures on the right depict from top to bottom the flagellation of Saint Hope, the cutting off of the breasts of Saint Faith, and the death by grieving of Saint Sophia before the graves of her three daughters.

Judging by the details of the work, we can conclude that the iconographer was not only a remarkable and profound expert in his art, but also a man who was well acquainted with every ecclesiastical theme he painted. The iconographer was acquainted with the story of the three girls and their mother, and he managed to faithfully portray them in the era of Emperor Hadrian, without departing from the theme. That is, it portrays the martyrs in a "realistic" manner and in accordance with the time it took place.









Support the Mystagogy Resource Center

For more than fifteen years, the Mystagogy Resource Center has been a labor of love dedicated to making the riches of the Orthodox Christian tradition freely available to people throughout the world.

Thousands of articles, translations, lives of saints, theological reflections, historical resources, and daily materials have been published across this ministry’s websites, all offered free of charge for anyone seeking a deeper understanding of the Orthodox faith.

This is a one-man ministry that requires countless hours of research, translation, writing, editing, and maintenance each day.

If this work has spiritually benefited, educated, encouraged, or inspired you in any way, I humbly ask you to consider supporting this ministry financially.

Generous annual and monthly benefactors make possible the continuation and expansion of this work for the future, for without such support this ministry cannot exist.

Every contribution, whether large or small, truly makes a difference and is deeply appreciated. May God bless you abundantly for your generosity and prayers.

❖ ❖ ❖
PayPal • Credit Card • Debit Card • Venmo
Become a Patron on Patreon