Having entered the Christmas season, we ask those who find the work of the Mystagogy Resource Center beneficial to them to help us continue our work with a generous financial gift as you are able. As an incentive, we are offering the following booklet.

In 1909 the German philosopher Arthur Drews wrote a book called "The Myth of Christ", which New Testament scholar Bart D. Ehrman has called "arguably the most influential mythicist book ever produced," arguing that Jesus Christ never existed and was simply a myth influenced by more ancient myths. The reason this book was so influential was because Vladimir Lenin read it and was convinced that Jesus never existed, thus justifying his actions in promoting atheism and suppressing the Orthodox Church in the Soviet Union. Moreover, the ideologues of the Third Reich would go on to implement the views of Drews to create a new "Aryan religion," viewing Jesus as an Aryan figure fighting against Jewish materialism. 

Due to the tremendous influence of this book in his time, George Florovsky viewed the arguments presented therein as very weak and easily refutable, which led him to write a refutation of this text which was published in Russian by the YMCA Press in Paris in 1929. This apologetic brochure titled "Did Christ Live? Historical Evidence of Christ" was one of the first texts of his published to promote his Neopatristic Synthesis, bringing the patristic heritage to modern historical and cultural conditions. With the revival of these views among some in our time, this text is as relevant today as it was when it was written. 

Never before published in English, it is now available for anyone who donates at least $20 to the Mystagogy Resource Center upon request (please specify in your donation that you want the book). Thank you.



November 17, 2015

Saint Lazarus the Painter: An Iconographer During the Iconoclast Period

St. Lazarus the Iconographer (Feast Day - November 17)

Verses

Lazarus does not paint you now O Word,
But sees you alive without capturing you in the colors of paints.

Saint Lazarus the Zographos (which is translated as "the Painter", but is often known as "the Iconographer") became a monk at a young age and learned the art of painting. And together with discipline and self-control, he was also renowned for his almsgiving, so that he was chosen to receive the grace of the Priesthood. Having become a Priest, he battled against all the heresies. He endured so many afflictions, not only by the Nestorians and Eutychites and Dioscorites, but also by the Iconoclasts, that words cannot describe.

Brought before the Emperor Theophilos (829-842), and with the threat of the death penalty hanging over him, Lazarus staunchly refused to destroy any of the holy images he had painted. For this he was imprisoned.

After his release from prison, Lazarus continued to paint icons and so was again arrested and this time tortured by having red-hot horseshoes applied to his hands, burning the flesh to the bone. Lazarus was rescued from any further tortures and death by Theodora, Emperor Theophilos' wife and a secret venerator of icons (iconodule), and was secluded in the Saint John the Forerunner Monastery in Phoberos by the banks of the Bosporus.

Upon the Restoration of Icons in 843, Lazarus was once again free to venerate icons, and even continued to paint them despite his previous injuries which were miraculously healed: in gratitude to Empress Theodora he painted an icon of Saint John the Forerunner and then repainted the famous Christ Chalkites over the Chalke Gate of the Imperial Palace in 843.

In 856, Lazarus, being a staunch defender of Orthodoxy, was sent by Emperor Michael III as an emissary to visit Pope Benedict III to discuss the possibility of reconciliation between Rome and Constantinople – who at this point had very strained relations. He made a second mission to Rome in 867 but died in Galata during the journey and was buried in the Monastery of Evanderes, near Constantinople.

Saint Nikodemos the Hagiorite notes that in the minutes of the Seventh Ecumenical Synod it is recorded that one of his frescoes of the Holy Unmercenaries worked the following miracle: A certain woman had a twisting of her bowels, and after scraping paint from this image, she put the scrapes in water and drank it. After doing this, she was healed.


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