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MYSTAGOGY

MYSTAGOGY
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J.Sanidopoulos
This weblog offers insights and analysis on various matters of life and thought from a 21st century Orthodox Christian perspective, among other things.
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Saturday, October 24, 2009

ON DEATH by Metropolitan Anthony of Sourozh



Awareness of the present

Death is the touchstone of our attitude to life. People who are afraid of death are afraid of life. It is impossible not to be afraid of life with all its complexity and dangers if one is afraid of death. This means that to solve the problem of death is not a luxury. If we are afraid of death we will never be prepared to take ultimate risks; we will spend our life in a cowardly, careful and timid manner. It is only if we can face death, make sense of it, determine its place and our place in regard to it that we will be able to live in a fearless way and to the fulness of our ability. Too often we wait until the end of our life to face death, whereas we would have lived quite differently if only we had faced death at the outset.

There is a patristic injunction, constantly repeated over the centuries, that we should be mindful of death throughout our life. But if such a thing is repeated to modern man, who suffers from timidity, and from the loss of faith and experience which prevails in our time, he will think he is called upon to live under the shadow of death, in a condition of gloom, haunted always by the fear that death is on its way and that then there will be no point in having lived. And death, if remembered constantly and deeply, would act as a sword of Damocles for him, suspended over his head by a hair, preventing the enjoyment of life and the fulfilment of it. Such an approach to the saying must be rejected. We need to understand mindfulness of death in its full significance: as an enhancement of life, not a diminution of it.

Most of the time we live as though we were writing a draft for the life which we will live later. We live not in a definitive way, but provisionally, as though preparing for the day when we really will begin to live. We are like people who write a rough draft with the intention of making a fair copy later. But the trouble is that the final version never gets written. Death comes before we have had the time or even generated the desire to make a definitive formulation. We always think that it can be done tomorrow. 'I will live approximately today. Tomorrow is when I shall act in a definitive way. It is true that things are wrong, but give me time. I will sort them out somehow, or else they will come right of themselves'. Yet we all know that the time never actually comes.

The injunction 'be mindful of death' is not a call to live with a sense of terror in the constant awareness that death is to overtake us and that we are to perish utterly with all that we have stood for. It means rather: 'be aware of the fact that what you are saying now, doing now, hearing, enduring or receiving now may be the last event or experience of your present life'. In which case it must be a crowning, not a defeat; a summit, not a trough. If only we realized whenever confronted with a person that this might be the last moment either of his life or ours, we would be much more intense, more much attentive to the words we speak and the things we do.

There is a Russian children's story in which a wise man is asked three questions: What is the most important moment in life? What is the most important action in life? And who is the most important person? As in all such stories, he seeks everywhere for an answer and finds none. Finally he meets a peasant girl who is surprised that he should even ask. ‘The most important moment in life is the present - it is the only one we have, for the past is gone, the future not yet here. The most important action in this present is to do the right thing. And the most important person in life is the person who is with you at this present moment and for whom you can either do the right thing or the wrong'. That is precisely what is meant by mindfulness of death.

The value of the present moment may be realized when someone dear to us has a terminal illness and, more particularly, when we are aware that he or she may be dead within minutes. It is then that we recognize the importance of every gesture and action, then that we realize how slight the differences between what we usually consider the great things in life and those which are insignificant. The way we speak, the manner in which we prepare a tray with a cup of tea, the way in which we adjust an uncomfortable cushion become as important as the greatest thing we have ever done. For the humblest action, the simplest word, may be the summing up of a whole relationship, expressing to perfection all the depth of that relationship, all the love, concern and truth that are within it.

If only we could perceive the urgency of every moment in the awareness that it may be the last, our life would change profoundly. The idle words which the Gospel condemns (Matt 12:36), all those statements and actions which are meaningless, ambiguous or destructive — for these there would be no place. Our words and actions would be weighed before they are spoken or performed so that they might be culminating point in life and express the perfection of a relationship, never less.

Only awareness of death will give life this immediacy and depth, will bring life to life, will make it so intense that its totality is summed up in the present moment. Such precisely is the way in which the ascetics fought against mindlessness, lack of attention and carelessness, against all the attitudes which allow us to miss the moment of opportunity, to pass the other person by, not to notice the need. One of the chief things that we are called upon to learn is awareness - awareness of our own self and of the other person's situation, an awareness that will stand the test of life and death. All life is at every moment an ultimate act.

Fear of death, longing for death

We know from experience, our own and other people's, that we are afraid of death or uncertain about it. To be precise, I think that we are more afraid of the process of dying than of the fact of death. Most people might be ready to accept death if they were sure that death would come as sleep, without an intermediate period of fear and uncertainty.

Indeed, there is even something beguiling and attractive about death. How often people say, 'I wish I were dead': it is a way of saying, 'I wish I could be free of all responsibility either to myself or God or anyone else, I wish I could return to the condition of my early childhood when there was no need for me to live responsibly and I could simply play'. Most of us would prefer to play at living rather than to live commitedly. Consequently there is a fascination in death, seen as a liberation from the burden and responsibility of life. But in that sense death must be seen as an adversary, for it is one of the ways in which we are beguiled into turning away from what life offers in terms of a challenge and in terms of relationship. When people say, 'I am not afraid of death', we should always be ready to challenge them and ask whether their acceptance or even longing for death does not disguise a fear of life: 'I am terrified of life and would like to escape from it at all costs - if only I could go to sleep and never wake up, if only I could leave others to face my responsibilities, all the things which I have left undone or done amiss'. We should not be romantic in our attitude to death.

If we look to the saints we discover an altogether different attitude to death. Their love of death was not founded on a fear of life. When St. Paul says, 'For me to live is Christ and to die is gain [...]. I should like to depart and to be with Christ, which is far better' (Phil 1:21, 23), he is expressing a completely positive attitude to death. Death appears to him as a gate that will open on to eternity, enabling him to meet face to face the Lord who is all his love and all his life. But this cannot be achieved by wishful thinking. There is more to it than that. In order to be able to long for death in this particular way and to see death as the crowning of our life, as its unfolding to the measureless measure of eternity (to use a paradoxical phrase of St Maximus the Confessor), we must have an experience of eternal life here and now. We must not think of eternal life as something that will come later, as future happiness or future security. The apostles became fearless only when they themselves became - here and now - partakers of eternal life. As long as they had not received the witness of Christ's resurrection, as long as they had not received the Spirit, they were still afraid and clung in fear to their temporal life. But the moment they had access to life eternal, their fear of losing temporal life disappeared; for they knew that hatred, persecution and murder could do nothing more than free them from this life's limitations and enable them to enter into the boundless depths of eternal life. And this eternal life was known as a present experience, not only in an act of faith. The same is true of the martyrs. They were ready to die and possessed the sovereign freedom of self-giving because they knew life eternal and had in some measure already entered into it.

Death as an event in daily life

We could learn much about death if we took the trouble to look at our own experience. Death is much closer to us than we imagine, and we all could speak of experiences of 'death' which are in no sense frightening. What I have to say on this subject is neither new nor my own: perhaps more than anything else in my talk it is borrowed from others.

First of all, dying from a practical point of view means to drop out of self-awareness into an oblivion of self. This is something many people are afraid to do. Yet each of us goes to sleep every evening, loses himself completely in sleep, and without any fear. Why? Because we feel certain - to a great extent unjustifiably pertain - that we shall wake the next morning. We trust that the next morning will dawn for us, that sleep is a temporary experience. Could we not treat this as a parable of the process by which we die and wake in eternity? For in reality there is a great risk in closing one's eyes and going to sleep. There is no more dangerous place than one's bed, as noted in the story of the sailor and the peasant, who were considering the dangers of their respective conditions. The peasant insisted that he would never risk his life on the sea: 'It is far too dangerous'. When the sailor asked why he should think so, the peasant replied: 'Where did your father die?' 'At sea.' 'And your grandfather?' 'Also at sea.' 'And you still can't see how dangerous it is to go to sea?' But the sailor countered the question with his own: 'And where did your father die?' 'He died in his bed.' 'And his father?' 'Also in his bed.' 'And yet you dare to go to bed each night?' In this sense we ourselves face death trustfully and confidently each night. And when this kind of temporary death does not come easily to us, we even go so far as to take sleeping pills or nightcaps. Is it not curious that we fail to draw conclusions from the simplest things of life?

There is another way in which the experience of death is familiar to us all. As Romano Guardini has pointed out in his book The Last Things, there are several ways of dying in the course of a life. When we move from infancy to childhood, then to youth and adolescence and so to maturity and old age, we imagine that we grow out of one stage into the next. But if we are to develop, a number of things which were previously our condition must die in us: for a youth or adult preserves the characteristics of his childhood becomes childish, even infantile. In order to acquire maturity at the next stage of development, we must accept that something in us dies. And this dying may be a painful and difficult process, in a way as difficult as the actual dying of our body in the dissolution of death. Many parents know this all too well. They may long for their child to remain a little boy and they may be deeply disturbed at the sight of the young adult emerging out of the youngster. The process of dying in order to live is going on within us all the time: by contrast with such parents we must become aware of it and participate more actively in it. Then shall we be less afraid of death as an irrevocable loss. Rather shall we learn to regard it as an inevitable part of the process by which we grow into a more mature and complete life.

Death to self

Christ calls us to die to ourselves. What does this mean? The phrase is ambiguous, like everything else that is said about death. Does it mean self-destruction? Many imagine that it does, and try to apply it in that sense. Fortunately they fail, but they remain wounded by the terror of it. Properly understood, dying to oneself means acceptance of this progressive dying of things within us, until we come to the point when we realize that there is in us a real and deep self that belong to eternity, and a superficial self that has to be dissolved. We must let go of the superficial self in order to live fully.

Many feel that they cannot be aware of their own existence unless they assert themselves and demand recognition; and others of course react by trying to defend themselves against this kind of aggression. We can accept not to assert ourselves, not to impress upon others this awareness that we exist, only if we can believe - and we can believe it only on the strength of experience - that we are loved and affirmed by others. We must learn to be far greater than we are. It is not enough to know that God loves us and affirms us. We need to be affirmed by our neighbour, by at least one person, who says to us, 'You matter ultimately to me'. Gabriel Marcel insists in one of his books that to tell a person 'I love you' is tantamount to saying 'You shall never die', meaning as it does 'You matter to me so ultimately that I will assert you before the face of God, even if no one asserts you but God and myself'. We could achieve a great deal if we were prepared to recognize one another and to say, however tentatively, 'Yes, I am prepared to assert you. Although I am not sure how to do it completely, since your existence so far is a challenge, even an aggression, although I am afraid to do so, yet I will assert you as much as I can'. In this way, we could grow to the maturity that will allow us to assert the other and proclaim his ultimate value whatever the cost. The person who is asserted in such a way can forget about himself and live. Such is the line along which we are called to go.

We must have the courage to struggle through layers of fear in asserting one another ever more, fighting fear, yet overcoming it. At every step we have to renounce ourselves so that the other can be. As St John the Baptist spoke of himself decreasing in order that the Other might increase (John 3:30), so are we called to die progressively to ourselves that the other, our neighbour, may live. So to die means to leave nothing within us except that which is essential to the fullness of life.

Death as enemy and friend

Yet things are not so simple. It is true that, as St. Paul says, to live is Christ and to die is gain. It is true that to die is not to be divested of temporal life, but to be clothed with eternity. But there is a further point emphasised by St Paul, as also by the rest of Scripture. Man was not created for death; his calling is for eternal life; death is the result of sin in the sense of separation from God, breach with neighbour, loss of contact with man's real and deeper self. From that point of view, death is the last enemy that shall be destroyed (1 Cor 15:26). Death is the enemy, God's as much as ours. Indeed, it is God's enemy in the most striking and dramatic way, for it extends even to Christ himself. But while on the one hand death is such an enemy, the fact that it does reach out to Christ, that it kills him who is perfect man and God himself incarnate, also shows that it is not an evil devoid of meaning. For however much a result of sin and evil death may be, it is not in itself a sin or an evil which necessarily corrupts whoever it touches. Christ was not defiled in his death on the Cross, in his descent into hell, in his partaking of the total tragedy of death: his person was not polluted by communing in its mystery.

So there is an ambiguity here. On the one hand death should not exist, death is the result of evil and is to be defeated. On the other hand death alone enables us to break through the vicious circle of endlessness (and endlessness is something quite different from eternity). If there were no death in a world of sin, evil and corruption, we would slowly decay and disintegrate without ever being able to escape the horror of such gradual destruction.

There was a soldier in a Russian fable who managed to capture death and put it into a bag. He carried the bag on his back, safely secured, and was regarded at first as a benefactor who had saved mankind from its greatest scourge. But then it became obvious that while death might have gone, illness and old age were as much present as before. And when the soldier one day met an old woman, bent with age and illness, she shook her fist at him and shouted: 'Look what you have done, you evil good-for-nothing. You may have captured death, but you have deprived me of my freedom. Here am I, a prisoner of endlessness, part of a process that has no resolution'. The soldier realized what harm he had done and unleashed death. I need hardly add that it is still free and abroad.

Physical and spiritual death

Each Easter midnight and throughout the forty days that follow we sing that Christ is risen, having undone death by death. And yet what do we see? Death free and abroad, people dying as before. It would seem as if we are affirming something that we know to be untrue.

But we should keep in mind that there are two aspects or death. There is physical death, but there is also death, understood as separation from God, as descent into Sheol, the place where God is not, the place of his radical and definitive absence. It is this second aspect of death which is certainly the more cruel and atrocious. When we look at icons of Christ's harrowing of hell or speak of it in the Apostle's Creed, we are confronted by something unquestionably real. The Lord experienced not only the first aspect of death, but the second also. He chose to share with us in all the consequences of evil - including the final separation from God ('My God, my

God, why has thou forsaken me?'). But although he descends to the place where all those who have lost God descend, he brings with him the fullness of the divine presence. Consequently there is now no place left where God is not. And it is this which allows us to understand our situation since Christ's death and resurrection. We have still to undergo a temporary death, what St Paul describes as a falling asleep (1 Cor 15:6). But there is no longer the death which was the terror of mankind, the final dissolution and separation from God. And in that sense death is indeed undone by death. Even now - however germinally and tentatively - we are the heirs of eternal life.

Facing death

I once went to preach about death at a British university. Afterwards, the chaplain said to me, 'Do you know, I have never seen a dead person'. I was utterly amazed that a priest, a man in his fifties moreover, had never met death in his family life or in his priestly function - even during the war. It was an incident that made me take more note of my surroundings, and I realized that there is a very strong feeling here that death is a subject to avoid. The dead person should be committed to the care of the undertakers, while the living should turn away from the problem, and the less said about it the better. I found all this very offensive. Since giving that sermon I have taken every opportunity to speak about preparation for death to medical students, doctors, nurses, and to anyone else who is willing to listen. And I have made the discovery that people are quite ready to think about preparing for the death of others. At the same time very few are prepared to reflect that their own turn will come, and that preparation for death really begins with assessing death for oneself, taking a stand, and learning how to live well in order to die well - not so much in moral terms as skilfully, in the right way.

Yet we are all of us sick with the terminal disease known as mortality. It may take us some time to die of it, possibly thirty, sixty years or more. But we are all without exception sick with it and there is no doubt but that death will ensue. It follows that preparing for death cannot concern merely the other person or persons in our care, it concerns ourselves.

Freedom from the power of death

How then shall we prepare? From one point of view death has power over us. We were born and we shall die. It is as simple as that. But there is another aspect of death over which we can have some control.

Some years ago one of our parishioners fell ill. He was taken to hospital, where it was discovered that he had inoperable cancer and would die. He was not told about it at first. But his family was, and so was I. When I went to see him his first reaction (as so often is the case) was one of protest and recrimination. 'There is so much still to do, and here am I lying in this bed, unable to do a thing. How long is it to be?' I reminded him of something he had often said: 'If only I could put a stop to time, if only I could simply be'. I reminded him also that as yet he had never made any serious attempt to put a stop to time. Now God had done it for him. Thus he had no reason to complain, nor any reason to feel guilty. The whole thing was beyond his power to change. Yet lying still as he was, with time flowing by on either side of him, he was given the stillness of his present condition. And he could be as freely, completely and perfectly as he chose.

When I asked him whether he felt that he was yet in a condition of being, he answered, ‘There is still turmoil within me. I can do nothing, yet I go through the motions in respect of all sorts of things'. I put it to him that illness always confronts us with the things that are ultimate, most obviously with death. In death there are two elements or powers in action. The one power is extrinsic: the germs, the virus, the cancer or whatever it is that seeks to destroy the body. The other consists of all the negative attitudes and feelings that suck away vitality from within: resentment, bitterness, remorse, regrets, lack of peace. I urged him to concentrate on all the power of death that lay within him, and to let the doctors look after the rest.

After that we went through a long process (extending over several months) during which, day by day, he assessed his attitude to those who were closest to him. He had the time to do it; moreover was able to do it in the right spirit, seeing things as they were, not from a pragmatic point of view, but from an absolute angle. In the process he made his peace with all those around him.

Next we went back into his past, moving from one thing to another, seeking to understand his own sense of guilt, to assess what he had done or left undone, what others had done or omitted to do. Gradually all this field was cleared. It took a great deal of courage. For it is by no means easy for a man to look at his own life from the stability of the present moment and to make this moment the beginning of God's judgement on himself.

Eventually, he reached the point when he was almost transparent, so weak that he could hardly use his hands to bring food to his lips. Yet he said to me, 'How extraordinary it is. I am a dying man, there is nothing left of my strength. Yet I have never felt so intensely alive as I feel now'. He had found himself at that point of absolute cogency and stability which was free and independent of whatever might happen to his body.

Only if we free ourselves from all the germs of death which are within us can we reach such a point, where we become aware that we are ultimately immortal, though our bodies die.

It is not too late

When we recall our past as this man did, we sometimes remember someone we have harmed, but who is now long since dead; and it seems as if there is no way of setting things right. Let me give an example. I met a man in his eighties who, nearly sixty years before, when he was an officer in the Russian Civil War, had accidentally shot the girl he loved, a nurse in his unit. For the rest of his life he could never find peace. He told me that he had repented deeply, had confessed and received absolution. But it made no difference: nothing could free him from his sense of guilt. So I said to him, 'Why do you turn only to God, to Christ, to a priest to be forgiven? These were not your victims. Turn to the one you killed, to the girl'. He was taken aback. 'What do you mean, "turn to the girl"? I killed her sixty years ago.' 'Indeed you did', I answered. 'For that very reason, when you are at prayer this evening turn to her and say, "It is sixty years ago now, but I still carry the guilt and reproach of what I did to you. As the victim, you are the only one who has the power to forgive. Forgive me. And ask God to give me an assurance of forgiveness through peace".' He acted on my suggestion and indeed gained such assurance.

Too often we fail to resolve something in our past because we turn in the wrong direction. If God is not the God of the dead but of the living (Matt 22:33), then all those who have departed this life are alive in him; we, for our part, can turn to them for their intercession and forgiveness. All too frequently people who have lost someone whom they loved feel that they have not loved them as perfectly as they should; that they are indebted to them in terms of love, but that now it is too late to do anything about it. This is a mistake which we should never allow ourselves to make. It is never too late if we truly believe that God is the God of the living. Never should we say that we loved one another in the past tense. The death of the body does not involve a breach in a relationship that was, is and always remains between people who met and loved each other on earth.

The seeds we sow

Death is never the end. The good we have done continues after us and bears fruit in the lives of others. Unfortunately, the corollary is also true: we can also leave a legacy of evil.

On the positive side, consider the effect of the Gospels. There are countless people who have been converted and transformed by reading even a small passage from them. This they gain from what someone, many centuries ago, formulated and wrote down for the sake of Christ. I myself owe my faith to St Mark. If there is anything good that has come out of my life it is because one day, when I was fifteen years of age, I read St Mark's Gospel and Christ revealed himself and entered into my life.

By contrast, I think of quite other people who have written books, such as the French nineteenth century writer Gobineau. Gobineau wrote some remarkable short stories, but also a miserable little treatise on the inequality of races. It is a treatise that would now be altogether and deservedly forgotten, except for one thing: it was read by Hitler. It is difficult to suppose that Gobineau shares no responsibility before God for all that resulted from his book. He was a theoretician. But his theories became practice, and they were to cost millions of innocent lives.

In this connection, I remember a fable by Krylov. Two individuals were sentenced to hell and placed in neighbouring cauldrons. One was a murderer, the other had merely written some trashy novels. The author took a quick look over the rim of his cauldron to see how the murderer was faring. He himself was being boiled so fiercely that he could not imagine how his neighbour might be treated. To his indignation he saw the murderer basking in tepid water. He summoned the devil on duty and expressed his dissatisfaction: 'I merely wrote some novels, and yet you give me such a violent boiling. Whereas this man committed murder and he is relaxing as if that were his bath'. 'True', said the devil, 'but that's no accident, it's deliberate.' 'How so?' 'Well', said the devil, 'this man murdered someone in a fit of rage. So we give him a hard boiling every now and again because that's how his rage flared up, then we give him a rest because it subsided. As for you, whenever anyone buys one of your books we stoke up the fire under your cauldron and add extra fuel'.

There is a theological point here. Our life does not end conveniently when we die, even on earth. It continues over the centuries through heredity and through the by-products of our existence; and we continue to carry a responsibility for its repercussions. Thus, we have met today; I have spoken; I shall be answerable for anything that you will have received and for the way in which it may affect your life.

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* Edited version of two addresses given at the Fellowship Conference 1978. Published in Sobornost vol.1, No.2, 1979. P. 8-18.
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On the Possible Whereabouts of the Shroud in Post-Resurrection Times (3 of 3)


Continued from Part 2

Part 3 - The Shroud and the Grail

The place where Pilate ended his life is of importance. It is the link with the development of the medieval literature of Pilate, where “Aquitaine” features large, and with the cycle of the Grail. It is now admitted that the Holy Grail was in reality the container in which the Shroud was kept. In his monumental opus The Holy Grail. The Galahad Quest in the Arthurian Literature (which is a revised edition of The Holy Grail, its legends and symbolism of 1933) Arthur Edward Waite struck the right note: “The noticeable point is that the story of Veronica, of the Sudarium, and of the healing of a Roman Emperor is the root-matter of the earliest historical account of the Holy Grail; and this fact has led certain scholars to infer that the entire literature has been developed out of the Veronica Legend, as a part of the Conversion Legend of Gaul, according to which the holy woman, in the company of the three Maries and of Lazarus, took ship to Marseilles and preached the Gospel therein. They carried the Volto Santo and other Hallows” (p.342). He added in the footnote the story of the landing with the oarless boat on the shores of Provence by Mary Magdalene, Martha, Mary of Cleopas, Salome, Lazarus, Joseph of Arimathea and many others; in actual fact the boat drifted up the Rhine to Arles. He stressed the point that this happened after the first persecution, when St James was slain by the sword, i.e. after the installation of King Herod Agrippa. Waite stopped here unfortunately, because this is the real key to open the “secret” of the Holy Grail. It was the high jacking of the Holy Grail by the occultists, esotericists, new agers, and Hollywood among others that further obscured and actually derailed any serious quest for the Holy Grail. What happened might be summarized in the words of René Guénon, the famous traditionalist, in a long review of Waite’s Holy Grail: "Que la légende du Graal soit chrétienne, ce n’est certes pas contestable…mais cela empêche-t-il nécessairement qu’elle soit autre chose en même temps? Ceux qui ont conscience de l’unité fondamentale de toutes les traditions ne verront la aucune incompatibilité ; mais M. Waite, pour sa part, ne veut voir en quelque sorte que ce qui est spécifiquement chrétien, s’enfermant ainsi dans une forme traditionnelle particulière, dont les rapports qu’elle a avec les autres, précisément par son coté intérieur, semble dès lors lui échapper. Ce n’est pas qu-il nie l’existence d’éléments d’une autre provenance, probablement antérieurs au christianisme…mais il ne leur accorde qu’une bien médiocre importance, et il parait les considérer comme « accidentels », comme étant venus s’ajouter à la légende ‘du dehors’, et simplement du fait du milieu ou elle s’est élaborée."[16] The amount of literature generated by this view is staggering. Essentially it attempts to reverse the order of things enunciated by Waite. The Grail became anything but a Christian object, and the Christian elements became the ‘accidents’, literary inventions of Chrétien de Troyes, Robert de Boron, and Wolfram von Eschenbach at the end of the eleventh century, mostly as a propaganda tool to enhance the position of Henry II Plantagenet in his conflict with the Papacy or to serve the general ideology of the “translatio imperii”, “translatio studii”, “translatio religionis” from East to West, which began with the foundation of the western “Holy Roman Empire” by Charlemagne. It went from “Celtic myth to Christian symbol”, in the expression of Richard Loomis. This view was greatly helped by the ascription of the events described in the Arthurian literature to the sixth century.

But we must uphold the explanation intuited by Waite. The elements of the Grail “legend” find their place firmly in the first century. It is the only historical environment where a merging of Celtic myths and Christian symbols could have occurred. We consider that the identity of the Grail with the container of the Shroud has been definitively established by Ian Wilson and Noel Currer-Briggs.[17] We consider, with Noel Currer-Briggs, that the Image of Edessa is not the Shroud, but it might be the Sudarium, the cloth wrapped around the face. We do not deny, of course, that the story of Abgar and his miraculous cure had no relation with the same story in the west. The Syriac literature tells about exchanges of letters between Abgar and Tiberius. The letter of Tiberius to Abgar, quoted in the Syriac Doctrine of Thaddaeus the Apostle, about the report of Pilate to Aulbinus[18] the Proconsul is echoed, as we have seen, in The Golden Legend. The letter of Tiberius to Abgar mentions the troubles in Spain, which prevented the Emperor to dedicate his full attention to the matter. It is certainly based on a widespread tradition with documentary basis. Moses of Chorene quotes the exchange of letters between Abgar and Tiberius in his History of Armenia, specifically referring to the archives of Edessa.[19] But we believe that the western “legends” did not copy the Syriac stories. They relate their own story. The story of Abgar is not the origin of the Veronica legends.

The Conte del Graal of Chrétien de Troyes remained incomplete. Attempts were made to ground the story more firmly in history. Robert de Boron based his stories on the Gospel of Nicodemus. Far from appealing to a hidden tradition, to “secret words” of Christ charged with revelations going beyond the canonical Scripture, the preserve of initiates and sages, to “superapostolic” hierarchies, it was an attempt to clarify the oral traditions circulating in the “Celtic” area of Britain, Brittany and France. Joseph of Arimathea along with his relatives and companions set sail (so to speak, because they were put in a boat without oars, rudder and sails!) westwards carrying with him an object related to the body and blood of Jesus, the Grail. This is purely and simply the story of the arrival of Joseph, Mary Magdalene, Martha and the others in Provence and their sailing upstream the Rhine. There are, of course, some variations between the multiple branches of the romances of the Grail Cycle. But they can be summarized as follows: Joseph arrived at the city of Sarras, reached curiously by the way of Bethany, the home town of Mary and Martha. The king of that city, Evalach, is converted by Joseph. From there the company reached the kingdom of Logres, i.e. England. But prior to the arrival at Sarras a command was received from the Son of God to build an Ark, similar to that of the Old Covenant, for the reception of the Holy Vessel. In reality this Ark is the Grail. They arrive in Logres where the Grail performs the miracle of feeding a multitude with miraculously multiplied bread and fish. There follows the story of the Fisher King and the Quest for the Grail and the return of the Grail to the city of Sarras, by Galahad, the pure knight. From there it disappears and the legend has that it was taken to Mountsalvach, or Monsalvat, which is clearly the Mount of Salvation. We need to stress that the story of the Grail is immersed in the story of King Arthur and his Round Table. It is a point of considerable importance. The Arthurian literature is not primarily about the Grail, but about Chivalry and its role in medieval society. It clearly reflects the relations between Church and Kings. The Round Table is certainly one of the Celtic elements. It is evocative of all the circular structures revealed by archaeology, of which Stonehenge is just the most glamorous, but not unique. These structures were presumably places of assembly of the fianna, the warrior band established to protect the high king. The Grail comes in the picture as an expletive of this role and we presume that the various authors tried to “research” their history, only dimly recognizable in the oral traditions. Certainly the interest in the relics of the Passion was renewed by the direct contacts with them at Constantinople.

Another central personage in the cycle is Bron, the brother in law of Joseph. Enough to say that he was identified with Bran Vendigaid, Bran the Blessed, the king Cunobelinus of Britain, the Shakespearean Cymbeline, son of the king Tasciovan = Llyr (the Shakespearean “Lear”) and father of Caractacus, the king that led the resistance against the Roman invasion under Claudius. It is worth reminding that these kings were of Gallic continental origin showing strong Roman proclivities. Cunobelinus himself was a hostage at Rome and familiar with the Roman ways. His relation with Joseph of Arimathea, might not then be that far fetched. At the time of his Roman education, Cunobelinus might have been exposed to the Jewish proselytism which was making inroads in the capital, especially among the aristocracy. In any case the Welsh Triads say that Bran was baptized at Rome by St. Paul, an impossible date, but which likely reflects that acquaintance and his interest in the events that took place in Judaea. He was also identified with the Fisher King, the wounded king guardian of the Grail, who cannot die until a pure knight would ask the right question and be entrusted with the custody of the Sacred Vessel. It is an absolute indication that the story unfolds in the first century. Cunobelinus was wounded in a battle with the Irish. An almost complete clarification of the matter was brought about by a largely unnoticed book Guardian of the Grail: A New Light on the Arthurian Legend, by John Whitehead. First published in 1959 it was reprinted in a typographic copy in 1993, without any editorial indication that it was a reprint. Whitehead demonstrated convincingly that the real King Arthur was Caractacus, son of Cunobelinus=Bran= Uther Pendragon. The battles that made Arthur famous were not against the Saxons, but against the Romans, against the invasion of Claudius, the “King Claudas” of the Arthurian romances, who has no place in the sixth century. The confusion arose almost inevitably during the transmission of the oral tradition of the Bards. The legend, found in the Mabinogi, of the head of Bran buried in London facing France to protect Britain against the “gormes Saessons” is indeed an old Gallic myth originating in the prehistory of the Celts, but passed to Britain from the Volcae of the south of France. In the story of Peredur (the Welsh Perceval), part also of the Mabinogi, the procession of the Grail carried the severed head of a man. We believe also that the Saessons were originally the Suessiones, the powerful Gallic tribe from around Soissons, which in the pre-Roman times extended their dominion over the south of England as well. Whitehead indentifies also Arthur with the Arviragus of other sources of British history, the king who granted Joseph land at Glastonbury. Caractacus was taken hostage to Rome for seven years, after which he was returned a client king to Britain. He was the father of Claudia Britannica, the wife of the Roman senator Rufus Pudens, the mother of SS. Praxedes and Pudentiana and of Linus the first pope of Rome, named in the Epistle to the Romans of St. Paul.[20] These are sufficient reasons to explain the enduring fame of Arthur, which can hardly be accounted for had he been only an obscure chieftain of the sixth century. His victories against the Saxons, certainly without much interest for the rest of Europe were not enough to give Arthur his mythical stature outside England. It was his father Bran who brought Joseph and the Grail to Britain, indication of an early exposure to Christianity. There is an almost unanimous tradition of a very early date. St. Gildas, in his De excidio Britanniae said: ”Christ, the True Sun, afforded his light, the knowledge of his precepts, to our island in the last year, as we know, of Tiberius Caesar”! Recent research has shown quite conclusively that large portions of sixth century epic, like the Book of Aneirin and the Goddodin (where we have the first mention of Arthur) represent in fact recollections of the Iron Age and precisely of Cunobelinus.[21] We think that another indication of an early date is the presence of the fish along with the bread and the wine on the Table of the Grail. The catacombs of Rome revealed a wealth of early representations of the Eucharist.[22] The miracle of the multiplication of the loaves and fishes mentioned by all four Evangelists was chosen to symbolize the Eucharist. Another one was the banquet of the seven Disciples by the Sea of Galilee after the Resurrection. One of the oldest representation of the Eucharist, appropriately called “Fractio Panis” occurs in the cemetery of St. Priscilla, in the so called Capella Greca. The scene represents seven persons at table. In the center of the table are two plates, one containing five loaves, the other two fishes, while on the right and left of the divan seven baskets of bread are distributed symmetrically. In front of the celebrant there is a two handled cup, evidently the chalice. Other frescoes show baskets of bread next to fishes; in the baskets are glasses filled with a red substance, obviously the wine. The story of the seven disciples is recorded in the Gospel of St. John (XXI, 9 sqq.). The Lord invited him and the others to eat the bread and the fish lying in the hot coals. “And none of them…dared ask him: ‘Who art thou?’ knowing that it was the Lord." Is not here the prototype of the unasked question of the Grail quest?

We must stress that there is no indication whatsoever in the literature that the Grail remained in Britain, that it might be hidden somewhere at Glastonbury or wherever. Rather it is to the contrary. In the words of Arthur E. Waite: “The Grail literature is in any case a testimony of loss and dereliction.” The Grail is taken back to where it came, at Sarras, and from there even further. The things are, it seems, very simple. Montsalvat, or Munsalveche, is plainly Mount Zion. Here was the room of the Last Supper, the place where the risen Christ showed Himself to the Apostles, and where the Holy Spirit descended upon the Apostles. This was the Mother church of Christianity! Recent archaeological excavations showed that a church was built there, after the destruction of the Temple.[23] We may be certain that the Shroud was deposited there until an unknown date when it was taken to Constantinople and kept along with the instruments of the Passion as the Palladium of the Empire.

It is time to draw a conclusion. The most likely scenario is that Pilate carried with him the Shroud (it was in the hands of Procla anyway), first to Rome and then in his exile to Vienne, where he was followed by Joseph, Mary Magdalene, Martha and the others, obliged to flee the persecution against the Christians initiated by Herod Agrippa and surely backed by Caligula. This group can be considered in fact the keepers of the Grail. Every one of them had a special relation with the Shroud. Saint Irenaeus of Lyon tells us that the heretical Carpocratians were in possession of a portrait of Jesus “painted by Pilate”.[24] It certainly designated the Shroud. The mysterious city of Sarras might simply be an ancient Gallic settlement. Not far from Vienne to the south, in the department of Ardéche, there are two villages: Arras-sur-Rhone and Sarras, only six kilometers apart! We may as well opt for Arras, in Artois, which was the capital of the Atrebates. Could then the Bethany of the legends be Bethune? From Sarras Joseph proceeds to the “vaux d’Avaron” or Avalon. Avalon is a town in the same area (department of Yonne), the former Gallic and Gallic-Roman city of Aballo, or Avallo. That certainly does not preclude the dash to Britain at the request of Bran. The underlying idea was that it was for a “cure” of sorts for the ailing king. We like to stress that the healings operated by the Shroud presuppose a prior belief in the Resurrection. They see the Shroud and believe and their faith heals them, like in all the healings of Jesus. The Shroud was the silent witness of the Resurrection and therefore a potent instrument of conversion. The Queste dou Graal evokes the first stages of the conversion of Britain and Gaul. It was certainly a longer process, but I think we can not doubt that it started very early. Its peculiarity was the collaboration of the Druids in the conversion, as illustrated by the role of Merlin. We cannot dismiss lightly a very firm tradition, which was never seriously challenged. The Shroud played a significant role in the apostolic preaching and left in tradition an indelible mark; in the south of France as well. But Mary Magdalene did not remain there. Eastern tradition, which is more reliable in this respect, informs us that she returned to Ephesus where she helped Saint John in preaching and where she died. Her relics were taken to Constantinople by the Emperor Leo the Wise and deposed in the Monastery of Saint Lazarus, built by Leo. It would seem ironic that the Albigenses, other alleged keepers of the Grail, while denying the transubstantiation, were nevertheless commemorating the Lord’s Supper in the woods or in the houses on a cloth spread upon the ground![25] The presence of Titus and Vespasian in Aquitaine can be explained in the same context. Vespasian detained a high command during the conquest of Britain. His meeting with Joseph of Arimathea might have taken place there.

When the Crusaders rediscovered the Shroud at Constantinople the interest in its history was rekindled and serious “research” was made. The result was the literature of the Grail. The real quest for the Grail, as Noel Currer-Briggs puts it, was, alas, the Fourth Crusade.

---------------------------

NOTES

1. Catholic Encyclopaedia, New Advent.org, s.v. Corporal.

2. Ibidem.

3. Catholic Encyclopaedia, New Advent.org, s.v. The Gallican Rite.

4. Dictionnaire d’Archéologie Chrétienne et de Liturgy, s.v. Antimension.

5. Montague Rhodes James, The Apocryphal New Testament…, Oxford at Clarendon Press, p. 3.

6. Remi van Haelst, The Shroud in the Gospel following Gamaliel, Collegamento pro Sindone Internet – Ottobre 2001.

7. Ibidem.

8. Montague Rhodes James, op.cit., p. 95.

9. Eusebius, Historia Ecclesiastica, 9.5-7.

10. Montague Rhodes James, op.cit., pp. 157-161.

11. Idem, p. 117

12. Tacitus, Annals, XIII, 30.

13. Inscription archived by the Theatrum Pompei Project, www.theaterofpompey.com

14. Josephus Flavius, Jewish Antiquities, XVIII, 3

15. Tacitus, Annals, IV, 22.

16. René Guenon, Le Saint Graal, in Symboles de la Science sacrée, Gallimard, p. 30.

17. Ian Wilson, The Turin Shroud, Penguin Books, 1978; Noel Currer-Briggs, The Shroud and the Grail, St. Martin Press, New York, 1987.

18. W. Cureton, Ancient Syriac Documents relative to the earliest establishment of Christianity in Edessa and the neighbouring countries from the year after our Lord’s Ascension to the beginning of the fourth century, Edinburgh, 1864, p. 17.

19. Idem, op.cit., pp. 133-134.

20. Rev Lionel Smithett Lewis, St Joseph of Arimathea at Glastonbury or The Apostolic Church of Britain, p.23.

21. John T. Koch, Llawr en assed (CA 932) “The laureate hero in the war-chariot:” Some recollections of the Iron Age in the Goddodin, in Etudes celtiques, XXIV, 1987; John T. Koch, Bran, Brennos: An Instance of Early Gallo-Brittonic History and Mythology, in Cambridge Medieval Celtic Studies 20(Winter 1990).

22. Catholic Encycopaedia, New Advent.org, s.v. Early symbols of the Eucharist.

23. Bargil Pixner, "Church of the Apostles Found on Mt. Zion", in Biblical Archaeological Review, May/June 1990

24. Adversus Haereses, 1, 25,6.

25. Arthur E. Waite, The Holy Grail, p. 400.
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Documentary on Elder Paisios the Hagiorite (Greek)

Elder PAISIOS from NamaTV on Vimeo.

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Friday, October 23, 2009

The Dark Legacy of Carlos Castaneda


The godfather of the New Age led a secretive group of devoted followers in the last decade of his life. His closest "witches" remain missing, and former insiders, offering new details, believe the women took their own lives.

By Robert Marshall
Salon.com
Apr. 12, 2007

Much has been written about the slippery boundaries between fiction and nonfiction, the publishing industry's responsibility for distinguishing between the two, and the potential damage to readers. There's been, however, hardly a mention of the 20th century's most successful literary trickster: Carlos Castaneda.

If this name draws a blank for readers under 30, all they have to do is ask their parents. Deemed by Time magazine the "Godfather of the New Age," Castaneda was the literary embodiment of the Woodstock era. His 12 books, supposedly based on meetings with a mysterious Indian shaman, don Juan, made the author, a graduate student in anthropology, a worldwide celebrity. Admirers included John Lennon, William Burroughs, Federico Fellini and Jim Morrison.

Under don Juan's tutelage, Castaneda took peyote, talked to coyotes, turned into a crow, and learned how to fly. All this took place in what don Juan called "a separate reality." Castaneda, who died in 1998, was, from 1971 to 1982, one of the best-selling nonfiction authors in the country. During his lifetime, his books sold at least 10 million copies.

Castaneda was viewed by many as a compelling writer, and his early books received overwhelmingly positive reviews. Time called them "beautifully lucid" and remarked on a "narrative power unmatched in other anthropological studies." They were widely accepted as factual, and this contributed to their success. Richard Jennings, an attorney who became closely involved with Castaneda in the '90s, was studying at Stanford in the early '70s when he read the first two don Juan books. "I was a searcher," he recently told Salon. "I was looking for a real path to other worlds. I wasn't looking for metaphors."

The books' status as serious anthropology went almost unchallenged for five years. Skepticism increased in 1972 after Joyce Carol Oates, in a letter to the New York Times, expressed bewilderment that a reviewer had accepted Castaneda's books as nonfiction. The next year, Time published a cover story revealing that Castaneda had lied extensively about his past. Over the next decade, several researchers, most prominently Richard de Mille, son of the legendary director, worked tirelessly to demonstrate that Castaneda's work was a hoax.

In spite of this exhaustive debunking, the don Juan books still sell well. The University of California Press, which published Castaneda's first book, "The Teachings of Don Juan: A Yaqui Way of Knowledge," in 1968, steadily sells 7,500 copies a year. BookScan, a Nielsen company that tracks book sales, reports that three of Castaneda's most popular titles, "A Separate Reality," "Journey to Ixtlan" and "Tales of Power," sold a total of 10,000 copies in 2006. None of Castaneda's titles have ever gone out of print -- an impressive achievement for any author.

Today, Simon and Schuster, Castaneda's main publisher, still classifies his books as nonfiction. It could be argued that this label doesn't matter since everyone now knows don Juan was a fictional creation. But everyone doesn't, and the trust that some readers have invested in these books leads to a darker story that has received almost no coverage in the mainstream press.

Castaneda, who disappeared from the public view in 1973, began in the last decade of his life to organize a secretive group of devoted followers. His tools were his books and Tensegrity, a movement technique he claimed had been passed down by 25 generations of Toltec shamans. A corporation, Cleargreen, was set up to promote Tensegrity; it held workshops attended by thousands. Novelist and director Bruce Wagner, a member of Castaneda's inner circle, helped produce a series of instructional videos. Cleargreen continues to operate to this day, promoting Tensegrity and Castaneda's teachings through workshops in Southern California, Europe and Latin America.

At the heart of Castaneda's movement was a group of intensely devoted women, all of whom were or had been his lovers. They were known as the witches, and two of them, Florinda Donner-Grau and Taisha Abelar, vanished the day after Castaneda's death, along with Cleargreen president Amalia Marquez and Tensegrity instructor Kylie Lundahl. A few weeks later, Patricia Partin, Castaneda's adopted daughter as well as his lover, also disappeared. In February 2006, a skeleton found in Death Valley, Calif., was identified through DNA analysis as Partin's.

Some former Castaneda associates suspect the missing women committed suicide. They cite remarks the women made shortly before vanishing, and point to Castaneda's frequent discussion of suicide in private group meetings. Achieving transcendence through a death nobly chosen, they maintain, had long been central to his teachings.

Castaneda was born in 1925 and came to the United States in 1951 from Peru. He'd studied sculpture at the School of Fine Arts in Lima and hoped to make it as an artist in the United States. He worked a series of odd jobs and took classes at Los Angeles Community College in philosophy, literature and creative writing. Most who knew him then recall a brilliant, hilarious storyteller with mesmerizing brown eyes. He was short (some say 5-foot-2; others 5-foot-5) and self-conscious about having his picture taken. Along with his then wife Margaret Runyan (whose memoir, "A Magical Journey With Carlos Castaneda," he would later try to suppress) he became fascinated by the occult.

According to Runyan, she and Castaneda would hold long bull sessions, drinking wine with other students. One night a friend remarked that neither the Buddha nor Jesus ever wrote anything down. Their teachings had been recorded by disciples, who could have changed things or made them up. "Carlos nodded, as if thinking carefully," wrote Runyan. Together, she and Castaneda conducted unsuccessful ESP experiments. Runyan worked for the phone company, and Castaneda's first attempt at a book was an uncompleted nonfiction manuscript titled "Dial Operator."

In 1959, Castaneda enrolled at UCLA, where he signed up for California ethnography with archaeology professor Clement Meighan. One of the assignments was to interview an Indian. He got an "A" for his paper, in which he spoke to an unnamed Native American about the ceremonial use of jimson weed. But Castaneda was broke and soon dropped out. He worked in a liquor store and drove a taxi. He began to disappear for days at a time, telling Runyan he was going to the desert. The couple separated, but soon afterward Castaneda adopted C.J., the son Runyan had had with another man. And, for seven years, he worked on the manuscript that was to become "The Teachings of Don Juan."

"The Teachings" begins with a young man named Carlos being introduced at an Arizona bus stop to don Juan, an old Yaqui Indian whom he's told "is very learned about plants." Carlos tries to persuade the reluctant don Juan to teach him about peyote. Eventually he relents, allowing Carlos to ingest the sacred cactus buds. Carlos sees a transparent black dog, which, don Juan later tells him, is Mescalito, a powerful supernatural being. His appearance is a sign that Carlos is "the chosen one" who's been picked to receive "the teachings."

"The Teachings" is largely a dialogue between don Juan, the master, and Carlos, the student, punctuated by the ingestion of carefully prepared mixtures of herbs and mushrooms. Carlos has strange experiences that, in spite of don Juan's admonitions, he continues to think of as hallucinations. In one instance, Carlos turns into a crow and flies. Afterward, an argument ensues: Is there such a thing as objective reality? Or is reality just perceptions and different, equally valid ways of describing them? Toward the book's end, Carlos again encounters Mescalito, whom he now accepts as real, not a hallucination.

In "The Teachings," Castaneda tried to follow the conventions of anthropology by appending a 50-page "structural analysis." According to Runyan, his goal was to become a psychedelic scholar along the lines of Aldous Huxley. He'd become disillusioned with another hero, Timothy Leary, who supposedly mocked Castaneda when they met at a party, earning his lifelong enmity. In 1967, he took his manuscript to professor Meighan. Castaneda was disappointed when Meighan told him it would work better as a trade book than as a scholarly monograph. But following Meighan's instructions, Castaneda took his manuscript to the University of California Press' office in Powell Library, where he showed it to Jim Quebec. The editor was impressed but had doubts about its authenticity. Inundated by good reports from the UCLA anthropology department, according to Runyan, Quebec was convinced and "The Teachings" was published in the spring of 1968.

Runyan wrote that "the University of California Press, fully cognizant that a nation of drug-infatuated students was out there, moved it into California bookstores with a vengeance." Sales exceeded all expectations, and Quebec soon introduced Castaneda to Ned Brown, an agent whose clients included Jackie Collins. Brown then put Castaneda in touch with Michael Korda, Simon and Schuster's new editor in chief.

In his memoir, "Another Life," Korda recounts their first meeting. Korda was told to wait in a hotel parking lot. "A neat Volvo pulled up in front of me, and the driver waved me in," Korda writes. "He was a robust, broad-chested, muscular man, with a swarthy complexion, dark eyes, black curly hair cut short, and a grin as merry as Friar Tuck's ... I had seldom, if ever, liked anybody so much so quickly ... It wasn't so much what Castaneda had to say as his presence -- a kind of charm that was partly subtle intelligence, partly a real affection for people, and partly a kind of innocence, not of the naive kind but of the kind one likes to suppose saints, holy men, prophets and gurus have." The next morning, Korda set about buying the rights to "The Teachings." Under his new editor's guidance, Castaneda published his next three books in quick succession. In "A Separate Reality," published in 1971, Carlos returns to Mexico to give don Juan a copy of his new book. Don Juan declines the gift, suggesting he'd use it as toilet paper. A new cycle of apprenticeship begins, in which don Juan tries to teach Carlos how to "see."

New characters appear, most importantly don Juan's friend and fellow sorcerer don Genaro. In "A Separate Reality" and the two books that follow, "Journey to Ixtlan" and "Tales of Power," numerous new concepts are introduced, including "becoming inaccessible," "erasing personal history" and "stopping the world."

There are also displays of magic. Don Genaro is at one moment standing next to Carlos; at the next, he's on top of a mountain. Don Juan uses unseen powers to help Carlos start his stalled car. And he tries to show him how to be a warrior -- a being who, like an enlightened Buddhist, has eliminated the ego, but who, in a more Nietzschean vein, knows he's superior to regular humans, who lead wasted, pointless lives. Don Juan also tries to teach Carlos how to enter the world of dreams, the "separate reality," also referred to as the "nagual," a Spanish word taken from the Aztecs. (Later, Castaneda would shift the word's meaning, making it stand not only for the separate reality but also for a shaman, like don Juan and, eventually, Castaneda himself.)

In "Journey to Ixtlan," Carlos starts a new round of apprenticeship. Don Juan tells him they'll no longer use drugs. These were only necessary when Carlos was a beginner. Many consider "Ixtlan," which served as Castaneda's Ph.D. thesis at UCLA, his most beautiful book. It also made him a millionaire. At the book's conclusion, Carlos talks to a luminous coyote. But he isn't yet ready to enter the nagual. Finally, at the end of "Tales of Power," don Juan and don Genaro take Carlos to the edge of a cliff. If he has the courage to leap, he'll at last be a full-fledged sorcerer. This time Carlos doesn't turn back. He jumps into the abyss.

All four books were lavishly praised. Michael Murphy, a founder of Esalen, remarked that the "essential lessons don Juan has to teach are the timeless ones that have been taught by the great sages of India." There were raves in the New York Times, Harper's and the Saturday Review. "Castaneda's meeting with Don Juan," wrote Time's Robert Hughes, "now seems one of the most fortunate literary encounters since Boswell was introduced to Dr. Johnson."

In 1972, anthropologist Paul Riesman reviewed Castaneda's first three books in the New York Times Book Review, writing that "Castaneda makes it clear that the teachings of don Juan do tell us something of how the world really is." Riesman's article ran in place of a review the Times had initially commissioned from Weston La Barre, one of the foremost authorities on Native American peyote ceremonies. In his unpublished article, La Barre denounced Castaneda's writing as "pseudo-profound deeply vulgar pseudo-ethnography."

Contacted recently, Roger Jellinek, the editor who commissioned both reviews, explained his decision. "The Weston La Barre review, as I recall, was not so much a review as a furious ad hominem diatribe intended to suppress, not debate, the book," he wrote via e-mail. "By then I knew enough about Castaneda, from discussions with Edmund Carpenter, the anthropologist who first put me on to Castaneda, and from my reading of renowned shamanism scholar Mircea Eliade in support of my own review of Castaneda in the daily New York Times, to feel strongly that 'The Teachings of Don Juan' deserved more than a personal put-down. Hence the second commission to Paul Riesman, son of Harvard sociologist David Riesman, and a brilliant rising anthropologist. Incidentally, in all my eight years at the NYTBR, that's the only occasion I can recall of a review being commissioned twice."

Riesman's glowing review was soon followed by Oates' letter to the editor, in which she argued that the books were obvious works of fiction. Then, in 1973, Time correspondent Sandra Burton found that Castaneda had lied about his military service, his father's occupation, his age and his nation of birth (Peru not Brazil).

No one contributed more to Castaneda's debunking than Richard de Mille. De Mille, who held a Ph.D. in psychology from USC, was something of a freelance intellectual. In a recent interview, he remarked that because he wasn't associated with a university, he could tell the story straight. "People in the academy wouldn't do it," he remarked. "They'd be embarrassing the establishment." Specifically the UCLA professors who, according to de Mille, knew it was a hoax from the start. But a hoax that, he said, supported their theories, which de Mille summed up succinctly: "Reality doesn't exist. It's all what people say to each other."

In de Mille's first exposé, "Castaneda's Journey," which appeared in 1976, he pointed to numerous internal contradictions in Castaneda's field reports and the absence of convincing details. "During nine years of collecting plants and hunting animals with don Juan, Carlos learns not one Indian name for any plant or animal," De Mille wrote. The books were also filled with implausible details. For example, while "incessantly sauntering across the sands in seasons when ... harsh conditions keep prudent persons away, Carlos and don Juan go quite unmolested by pests that normally torment desert hikers."

De Mille also uncovered numerous instances of plagiarism. "When don Juan opens his mouth," he wrote, "the words of particular writers come out." His 1980 compilation, "The Don Juan Papers," includes a 47-page glossary of quotations from don Juan and their sources, ranging from Wittgenstein and C.S. Lewis to papers in obscure anthropology journals.

In one example, de Mille first quotes a passage by a mystic, Yogi Ramacharaka: "The Human Aura is seen by the psychic observer as a luminous cloud, egg-shaped, streaked by fine lines like stiff bristles standing out in all directions." In "A Separate Reality," a "man looks like a human egg of circulating fibers. And his arms and legs are like luminous bristles bursting out in all directions." The accumulation of such instances leads de Mille to conclude that "Carlos's adventures originated not in the Sonoran desert but in the library at UCLA." De Mille convinced many previously sympathetic readers that don Juan did not exist. Perhaps the most glaring evidence was that the Yaqui don't use peyote, and don Juan was supposedly a Yaqui shaman teaching a "Yaqui way of knowledge." Even the New York Times came around, declaring that de Mille's research "should satisfy anyone still in doubt."

Some anthropologists have disagreed with de Mille on certain points. J.T. Fikes, author of "Carlos Castaneda, Academic Opportunism and the Psychedelic Sixties," believes Castaneda did have some contact with Native Americans. But he's an even fiercer critic than de Mille, condemning Castaneda for the effect his stories have had on Native peoples. Following the publication of "The Teachings," thousands of pilgrims descended on Yaqui territory. When they discovered that the Yaqui don't use peyote, but that the Huichol people do, they headed to the Huichol homeland in Southern Mexico, where, according to Fikes, they caused serious disruption. Fikes recounts with outrage the story of one Huichol elder being murdered by a stoned gringo.

Among anthropologists, there's no longer a debate. Professor William W. Kelly, chairman of Yale's anthropology department, told me, "I doubt you'll find an anthropologist of my generation who regards Castaneda as anything but a clever con man. It was a hoax, and surely don Juan never existed as anything like the figure of his books. Perhaps to many it is an amusing footnote to the gullibility of naive scholars, although to me it remains a disturbing and unforgivable breach of ethics."

After 1973, the year of the Time exposé, Castaneda never again responded publicly to criticism. Instead, he went into seclusion, at least as far as the press was concerned (he still went to Hollywood parties). Claiming he was complying with don Juan's instruction to become "inaccessible," he no longer allowed himself to be photographed, and (in the same year the existence of the Nixon tapes was made public) he decided that recordings of any sort were forbidden. He also severed ties to his past; after attending C.J.'s junior high graduation and promising to take him to Europe, he soon banished his ex-wife and son.

And he made don Juan disappear. When "The Second Ring of Power" was published in 1977, readers learned that sometime between the leap into the abyss at the end of "Tales of Power" and the start of the new book, don Juan had vanished, evanescing into a ball of light and entering the nagual. His seclusion also helped Castaneda, now in his late 40s, conceal the alternative family he was starting to form. The key members were three young women: Regine Thal, Maryann Simko and Kathleen "Chickie" Pohlman, whom Castaneda had met while he was still active at UCLA. Simko was pursuing a Ph.D. in anthropology and was known around campus as Castaneda's girlfriend. Through her, Castaneda met Thal, another anthropology Ph.D. candidate and Simko's friend from karate class. How Pohlman entered the picture remains unclear.

In 1973, Castaneda purchased a compound on the aptly named Pandora Avenue in Westwood. The women, soon to be known both in his group and in his books as "the witches," moved in. They eventually came to sport identical short, dyed blond haircuts similar to those later worn by the Heaven's Gate cult. They also said they'd studied with don Juan.

In keeping with the philosophy of "erasing personal history," they changed their names: Simko became Taisha Abelar; Thal, Florinda Donner-Grau. Donner-Grau is remembered by many as Castaneda's equal in intelligence and charisma. Nicknamed "the hummingbird" because of her ceaseless energy, she was born in Venezuela to German parents and claimed to have done research on the Yanomami Indians. Pohlman was given a somewhat less glamorous alias: Carol Tiggs. Donner-Grau and Abelar eventually published their own books on sorcery.

The witches, along with Castaneda, maintained a tight veil of secrecy. They used numerous aliases and didn't allow themselves to be photographed. Followers were told constantly changing stories about their backgrounds. Only after Castaneda's death did the real facts about their lives begin to emerge. This is largely due to the work of three of his ex-followers.

In the early '90s, Richard Jennings, a Columbia Law graduate, was living in Los Angeles. He was the executive director of Hollywood Supports, a nonprofit group organized to fight discrimination against people with HIV. He'd previously been the executive director of GLAAD, the Gay and Lesbian Alliance Against Defamation. After reading an article in Details magazine by Bruce Wagner about a meeting with Castaneda, he became intrigued. By looking on the Internet, he found his way to one of the semi-secret workshops being held around Los Angeles. He was soon invited to participate in Castaneda's Sunday sessions, exclusive classes for select followers, where Jennings kept copious notes. From 1995 to 1998 he was deeply involved in the group, sometimes advising on legal matters. After Castaneda's death, he started a Web site, Sustained Action, for which he compiled meticulously researched chronologies, dating from 1947 to 1999, of the lives of Patricia Partin and the witches.

Another former insider is Amy Wallace, author of 13 books of fiction and nonfiction, including the best-selling "Book of Lists," which she co-authored with her brother David Wallechinksy and their father, novelist Irving Wallace, also a client of Korda's. (Amy Wallace has contributed to Salon.) She first met Castaneda in 1973, while she was still in high school. Her parents took her to a dinner party held by agent Ned Brown. Castaneda was there with Abelar, who then went under the name Anna-Marie Carter. They talked with Wallace about her boarding school. Many years later, Wallace became one of Castaneda's numerous lovers, an experience recounted in her memoir, "Sorcerer's Apprentice." Wallace now lives in East Los Angeles, where she's working on a novel about punk rock.

Gaby Geuter, an author and former travel agent, had been a workshop attendee who hoped to join the inner circle. In 1996 she realized she was being shut out. In an effort to find out the truth about the guru who'd rejected her, she, along with her husband, Greg Mamishian, began to shadow Castaneda. In her book "Filming Castaneda," she recounts how, from a car parked near his compound, they secretly videotaped the group's comings and goings. Were it not for Geuter there'd be no post-1973 photographic record of Castaneda, who, as he aged, seemed to have retained his impish charm as well as a full head of silver hair. They also went through his trash, discovering a treasure-trove of documents, including marriage certificates, letters and credit card receipts that would later provide clues to the group's history and its behavior during Castaneda's final days.

During the late '70s and early '80s, Jennings believes the group probably numbered no more than two dozen. Members, mostly women, came and went. At the time, a pivotal event was the defection of Carol Tiggs, who was, according to Wallace, always the most ambivalent witch. Soon after joining, she tried to break away. She attended California Acupuncture College, married a fellow student and lived in Pacific Palisades. Eventually, Wallace says, Castaneda lured her back.

Castaneda had a different version. In his 1981 bestseller, "The Eagle's Gift," he described how Tiggs vanished into the "second attention," one of his terms for infinity. Eventually she reappeared through a space time portal in New Mexico. She then made her way to L.A., where they were joyously reunited when he found her on Santa Monica Boulevard. In homage to her 10 years in another dimension, she was now known as the "nagual woman."

Wallace believes this was an incentive to get Tiggs to rejoin. According to Wallace and Jennings, one of the witches' tasks was to recruit new members. Melissa Ward, a Los Angeles area caterer, was involved in the group from 1993 to 1994. "Frequently they recruited at lectures," she told me. Among the goals, she said, was to find "women with a combination of brains and beauty and vulnerability." Initiation into the inner family often involved sleeping with Castaneda, who, the witches claimed in public appearances, was celibate.

In "Sorcerer's Apprentice," Wallace provides a detailed picture of her own seduction. Because of her father's friendship with Castaneda, her case was unusual. Over the years, he'd stop by the Wallace home. When Irving died in 1990, Amy was living in Berkeley, Calif. Soon after, Castaneda called and told her that her father had appeared to him in a dream and said he was trapped in the Wallace's house, and needed Amy and Carlos to free him.

Wallace, suitably skeptical, came down to L.A. and the seduction began in earnest. She recounts how she soon found herself in bed with Castaneda. He told her he hadn't had sex for 20 years. When Wallace later worried she might have gotten pregnant (they'd used no birth control), Castaneda leapt from the bed, shouting, "Me make you pregnant? Impossible! The nagual's sperm isn't human ... Don't let any of the nagual's sperm out, nena. It will burn away your humanness." He didn't mention the vasectomy he'd had years before.

The courtship continued for several weeks. Castaneda told her they were "energetically married." One afternoon, he took her to the sorcerer's compound. As they were leaving, Wallace looked at a street sign so she could remember the location. Castaneda furiously berated her: A warrior wouldn't have looked. He ordered her to return to Berkeley. She did. When she called, he refused to speak to her.

The witches, however, did, instructing Wallace on the sorceric steps necessary to return. She had to let go of her attachments. Wallace got rid of her cats. This didn't cut it. Castaneda, she wrote, got on the phone and called her an egotistical, spoiled Jew. He ordered her to get a job at McDonald's. Instead, Wallace waitressed at a bed and breakfast. Six months later she was allowed back.

Aspiring warriors, say Jennings, Wallace and Ward, were urged to cut off all contact with their past lives, as don Juan had instructed Carlos to do, and as Castaneda had done by cutting off his wife and adopted son. "He was telling us how to get out of family obligations," Jennings told me. "Being in one-on-one relationships would hold you back from the path. Castaneda was telling us how to get out of commitments with family, down to small points like how to avoid hugging your parents directly." Jennings estimates that during his four years with the group, between 75 and 100 people were told to cut off their families. He doesn't know how many did.

For some initiates, the separation was brutal and final. According to Wallace, acolytes were told to tell their families, "I send you to hell." Both Wallace and Jennings tell of one young woman who, in the group's early years, had been ordered by Castaneda to hit her mother, a Holocaust survivor. Many years later, Wallace told me, the woman "cried about it. She'd done it because she thought he was so psychic he could tell if she didn't." Wallace also describes how, when one young man's parents died soon after being cut off, Castaneda singled him out for praise, remarking, "When you really do it, don Juan told me, they die instantly, as if you were squashing a flea -- and that's all they are, fleas."

Before entering the innermost circle, at least some followers were led into a position of emotional and financial dependence. Ward remembers a woman named Peggy who was instructed to quit her job. She was told she'd then be given cash to get a phone-less apartment, where she would wait to hear from Castaneda or the witches. Peggy fled before this happened. But Ward said this was a common practice with women about to be brought into the family's core.

Valerie Kadium, a librarian, who from 1995 to 1996 took part in the Sunday sessions, recalls one participant who, after several meetings, decided to commit himself fully to the group. He went to Vermont to shut down his business, but on returning to L.A., he was told he could no longer participate; he was "too late." He'd failed to grasp the "cubic centimeter of chance" that, said Kadium, Castaneda often spoke of. Jennings had to quit his job with Hollywood Supports; his work required him to interact with the media, but this was impossible: Sorcerers couldn't have their pictures taken.

But there were rewards. "I was totally affected by these people," Jennings told me. "I felt like I'd found a family. I felt like I'd found a path." Kadium recalls the first time she saw Tensegrity instructor Kylie Lundahl onstage -- she saw an aura around her, an apricot glow. Remembering her early days with the group, she remarked, "There was such a sweetness about it. I had such high hopes. I wanted to feel the world more deeply -- and I did."

Although she was later devastated when Castaneda banished her from the Sunday sessions, telling her "the spirits spit you out," she eventually recovered, and now remembers this as the most exciting time of her life. According to all who knew him, Castaneda wasn't only mesmerizing, he also had a great sense of humor. "One of the reasons I was involved was the idea that I was in this fascinating, on the edge, avant garde, extraordinary group of beings," Wallace said. "Life was always exciting. We were free from the tedium of the world."

And because, as Jennings puts it, Castaneda was a "control freak," followers were often freed from the anxiety of decision-making. Some had more independence, but even Wallace and Bruce Wagner, both of whom were given a certain leeway, were sometimes, according to Wallace, required to have their writing vetted by Donner-Grau. Jennings and Wallace also report that Castaneda directed the inner circle's sex lives in great detail.

The most difficult part, Wallace believes, was that you never knew where you stood. "He'd pick someone, crown them, and was as capable of kicking them out in 48 hours as keeping them 10 years. You never knew. So there was always trepidation, a lot of jealousy." Sometimes initiates were banished for obscure spiritual offenses, such as drinking cappuccino (which Castaneda himself guzzled in great quantities). They'd no longer be invited to the compound. Phone calls wouldn't be returned. Having been allowed for a time into a secret, magical family, they'd be abruptly cut off. For some, Wallace believes, this pattern was highly traumatic. "In a weird way," she said, "the worst thing that can happen is when you're loved and loved and then abused and abused, and there are no rules, and the rules keep changing, and you can never do right, but then all of a sudden they're kissing you. That's the most crazy-making behavioral modification there is. And that's what Carlos specialized in; he was not stupid."

Whether disciples were allowed to stay or forced to leave seems often to have depended on the whims of a woman known as the Blue Scout. Trying to describe her power, Ward recalled a "Twilight Zone" episode in which a little boy could look at people and make them die. "So everyone treated him with kid gloves," she said, "and that's how it was with the Blue Scout." She was born Patricia Partin and grew up in LaVerne, Calif., where, according to Jennings, her father had been in an accident that left him with permanent brain damage. Partin dropped out of Bonita High her junior year. She became a waitress, and, at 19, married an aspiring filmmaker, Mark Silliphant, who introduced her to Castaneda in 1978. Within weeks of their marriage she left Silliphant and went to live with Castaneda. She paid one last visit to her mother; in keeping with the nagual's instructions, she refused to be in a family photograph. For the rest of her life, she never spoke to her mother again.

Castaneda renamed Partin Nury Alexander. She was also "Claude" as well as the Blue Scout. She soon emerged as one of his favorites (Castaneda officially adopted her in 1995). Followers were told he'd conceived her with Tiggs in the nagual. He said she had a very rare energy; she was "barely human" -- high praise from Castaneda. Partin, a perpetual student at UCLA and an inveterate shopper at Neiman Marcus, was infantilized. In later years, new followers would be assigned the task of playing dolls with her.

In the late '80s, perhaps because book sales had slowed, or perhaps because he no longer feared media scrutiny, Castaneda sought to expand. Jennings believes he may have been driven by a desire to please Partin. Geuter confirms that Castaneda told followers that the Blue Scout had talked him into starting Cleargreen. But she also suggests another motivation. "He was thinking about what he wanted for the rest of his life," Geuter told me. "He always talked about 'going for the golden clasp.' He wanted to finish with something spectacular."

Castaneda investigated the possibility of incorporating as a religion, as L. Ron Hubbard had done with Scientology. Instead, he chose to develop Tensegrity, which, Jennings believes, was to be the means through which the new faith would spread. Tensegrity is a movement technique that seems to combine elements of a rigid version of tai chi and modern dance. In all likelihood the inspiration came from karate devotees Donner-Grau and Abelar, and from his years of lessons with martial arts instructor Howard Lee. Documents found by Geuter show him discussing a project called "Kung Fu Sorcery" with Lee as early as 1988. The more elegant "Tensegrity" was lifted from Buckminster Fuller, for whom it referred to a structural synergy between tension and compression. Castaneda seems to have just liked the sound of it.

A major player in promoting Tensegrity was Wagner, whose fifth novel, "The Chrysanthemum Palace," was a finalist for the PEN/Faulkner prize (his sixth, "Memorial," was recently released by Simon and Schuster). Wagner hadn't yet published his first novel when he approached Castaneda in 1988 with the hope of filming the don Juan books. Within a few years, according to Jennings and Wallace, he became part of the inner circle. He was given the sorceric name Lorenzo Drake -- Enzo for short. As the group began to emerge from the shadows, holding seminars in high school auditoriums and on college campuses, Wagner, tall, bald and usually dressed in black, would, according to Geuter and Wallace, act as a sort of bouncer, removing those who asked unwanted questions. (Wagner declined requests for an interview.) In 1995 Wagner, who'd previously been wed to Rebecca De Mornay, married Tiggs. That same year his novel "I'm Losing You" was chosen by the New York Times as a notable book of the year. John Updike, in the New Yorker, proclaimed that Wagner "writes like a wizard."

In the early '90s, to promote Tensegrity, Castaneda set up Cleargreen, which operated out of the offices of "Rugrats" producer and Castaneda agent (and part-time sorcerer) Tracy Kramer, a friend of Wagner's from Beverly Hills High. Although Castaneda wasn't a shareholder, according to Geuter, "he determined every detail of the operation." Jennings and Wallace confirm that Castaneda had complete control of Cleargreen. (Cleargreen did not respond to numerous inquiries from Salon.) The company's official president was Amalia Marquez (sorceric name Talia Bey), a young businesswoman who, after reading Castaneda's books, had moved from Puerto Rico to Los Angeles in order to follow him.

At Tensegrity seminars, women dressed in black, the "chacmools," demonstrated moves for the audience. Castaneda and the witches would speak and answer questions. Seminars cost up to $1,200, and as many as 800 would attend. Participants could buy T-shirts that read "Self Importance Kills -- Do Tensegrity." The movements were meant to promote health as well as help practitioners progress as warriors. Illness was seen as a sign of weakness. Wallace recalls the case of Tycho, the Orange Scout (supposedly the Blue Scout's sister). "She had ulcerative colitis," Wallace told me. "She was trying to keep it a secret because if Carlos knew you were sick he'd punish you. If you went for medical care, he'd kick you out." Once Tycho's illness was discovered, Wallace said, Tycho was expelled from the group.

If Castaneda's early books drew on Buddhism and phenomenology, his later work seemed more indebted to science fiction. But throughout, there was a preoccupation with meeting death like a warrior. In the '90s, Castaneda told his followers that, like don Juan, he wouldn't die -- he'd burn from within, turn into a ball of light, and ascend to the heavens.

In the summer of 1997, he was diagnosed with liver cancer. Because sorcerers weren't supposed to get sick, his illness remained a tightly guarded secret. While the witches desperately pursued traditional and alternative treatments, the workshops continued as if nothing was wrong (although Castaneda often wasn't there). One of the witches, Abelar, flew to Florida to inspect yachts. Geuter, in notes taken at the time, wondered, "Why are they buying a boat? ... Maybe Carlos wants to leave with his group, and disappear unnoticed in the wide-open oceans."

No boats were purchased. Castaneda continued to decline. He became increasingly frail, his eyes yellow and jaundiced. He rarely left the compound. According to Wallace, Tiggs told her the witches had purchased guns. While the nagual lay bedridden with a morphine drip, watching war videos, the inner circle burned his papers. A grieving Abelar had begun to drink. "I'm not in any danger of becoming an alcoholic now," she told Wallace. "Because I'm leaving, so -- it's too late." Wallace writes: "She was telling me, in her way, that she planned to die."

Wallace also recalls a conversation with Lundahl, the star of the Tensegrity videos and one of the women who disappeared: "If I don't go with him, I'll do what I have to do," Wallace says Lundahl told her. "It's too late for you and me to remain in the world -- I think you know exactly what I mean."

In April 1998, Geuter filmed the inner circle packing up the house. The next week, at age 72, Castaneda died. He was cremated at the Culver City mortuary. No one knows what became of his ashes. Within days, Donner-Grau, Abelar, Partin, Lundahl and Marquez had their phones disconnected and vanished. A few weeks later, Partin's red Ford Escort was found abandoned in Death Valley's Panamint Dunes.

Even within the inner circle, few knew that Castaneda was dead. Rumors spread. Many were in despair: The nagual hadn't "burned from within." Jennings didn't learn until two weeks later, when Tiggs called to tell him Castaneda was "gone." The witches, she said, were "elsewhere."

In a proposal for a biography of Castaneda, a project Jennings eventually chose not to pursue, he writes that Tiggs "also told me she was supposed to have 'gone with them,' but 'a non-decision decision' kept me here." Meanwhile, the workshops continued. "Carol also banned mourning within Cleargreen," Jennings writes, "so its members hid their grief, often drowning it in alcohol or drugs." Wallace, too, recalls a lot of drug use: "I don't know if they tried to OD so much as to 'get there.' Get to Carlos." Jennings himself drove to the desert and thought about committing suicide.

The media didn't learn of Castaneda's death for two months. When the news became public, Cleargreen members stopped answering their phones. They soon placed a statement, which Jennings says was written by Wagner, on their Web site: "For don Juan, the warrior was a being ... who embarks, when the time comes, on a definitive journey of awareness, 'crossing over to total freedom' ... warriors can keep their awareness, which is ordinarily relinquished, at the moment of dying. At the moment of crossing, the body in its entirety is kindled with knowledge ... Carlos Castaneda left the world the same way that his teacher, don Juan Matus did: with full awareness."

Many obituaries had a curious tone; the writers seemed uncertain whether to call Castaneda a fraud. Some expressed a kind of nostalgia for an author whose work had meant so much to so many in their youth. Korda refused comment. De Mille, in an interview with filmmaker Ralph Torjan, expressed a certain admiration. "He was the perfect hoaxer," he told Torjan, "because he never admitted anything."

Jennings, Wallace and Geuter believe the missing women likely committed suicide. Wallace told me about a phone call to Donner-Grau's parents not long after the women disappeared. Donner-Grau had been one of the few allowed to maintain contact with her family. "They were weeping," Wallace said, "because there was no goodbye. They didn't know what had happened. This was after decades of being in touch with them."

Castaneda's will, executed three days before his death, leaves everything to an entity known as the Eagle's Trust. According to Jennings, who obtained a copy of the trust agreement, the missing women have a considerable amount of money due to them. Deborah Drooz, the executor of Castaneda's estate, said she has had no contact with the women. She added that she believes they are still alive.

Jennings believes Castaneda knew they were planning to kill themselves. "He used to talk about suicide all the time, even for minor things," Jennings told me. He added that Partin was once sent to identify abandoned mines in the desert, which could be used as potential suicide sites. (There's an abandoned mine not far from where her remains were found.) "He regularly told us he was our only hope," Jennings said. "We were all supposed to go together, 'make the leap,' whatever that meant." What did Jennings think it meant? "I didn't know fully," he said. "He'd describe it in different ways. So would the witches. It seemed to be what they were living for, something we were being promised."

The promise may have been based on the final scene in "Tales of Power," in which Carlos leaps from a cliff into the nagual. The scene is later retold in varying versions. In his 1984 book, "The Fire From Within," Castaneda wrote: "I didn't die at the bottom of that gorge -- and neither did the other apprentices who had jumped at an earlier time -- because we never reached it; all of us, under the impact of such a tremendous and incomprehensible act as jumping to our deaths, moved our assemblage points and assembled other worlds."

Did Castaneda really believe this? Wallace thinks so. "He became more and more hypnotized by his own reveries," she told me. "I firmly believe Carlos brainwashed himself." Did the witches? Geuter put it this way: "Florinda, Taisha and the Blue Scout knew it was a fantasy structure. But when you have thousands of eyes looking back at you, you begin to believe in the fantasy. These women never had to answer to the real world. Carlos had snatched them when they were very young."

Wallace isn't sure what the women believed. Because open discussion of Castaneda's teachings was forbidden, it was impossible to know what anyone really thought. However, she told me, after living so long with Castaneda, the women may have felt they had no choice. "You've cut off all your ties," she said. "Now you're going to go back after all these decades? Who are you going to go be with? And you feel that you're not one of the common herd anymore. That's why they killed themselves."

On its Web site, Cleargreen maintains that the women didn't "depart." However, "for the moment they are not going to appear personally at the workshops because they want this dream to take wings."

Remarkably, there seems to have been no investigation into at least three of the disappearances. Except for Donner-Grau, they'd all been estranged from their families for years. For months after they vanished, none of the other families knew what had happened. And so, according to Geuter, no one reported them missing. Salon attempted to locate the three missing women, relying on public records and phone calls to their previous residences, but discovered no current trace of them. The Los Angeles Police Department and the FBI confirm that there's been no official inquiry into the disappearances of Donner-Grau, Abelar and Lundahl.

There is, however, a file open in the Marquez case. This is due to the tireless efforts of Luis Marquez, who told Salon that he first tried to report his sister missing in 1999. But the LAPD, he said, repeatedly ignored him. A year later, he and his sister Carmen wrote a letter to the missing-persons unit; again, no response. According to Marquez, it wasn't until Partin's remains were identified that the LAPD opened a file on Amalia. "To this day," he told me, "they still refuse to ask any questions or visit Cleargreen." His own attempts to get information from Cleargreen have been fruitless. According to Marquez, all he's been told is that the women are "traveling." Detective Lydia Dillard, assigned to the Marquez case, said that because this is an open investigation, she couldn't confirm whether anyone from Cleargreen had been interviewed.

In 2002, a Taos, N.M., woman, Janice Emery, a Castaneda follower and workshop attendee, jumped to her death in the Rio Grande gorge. According to the Santa Fe New Mexican, Emery had a head injury brought on by cancer. One of Emery's friends told the newspaper that Emery "wanted to be with Castaneda's people." Said another: "I think she was really thinking she could fly off." A year later, a skeleton was discovered near the site of Partin's abandoned Ford. The Inyo County sheriff's department suspected it was hers. But, due to its desiccated condition, a positive identification couldn't be made until February 2006, when new DNA technology became available.

Wallace recalls how Castaneda had told Partin that "if you ever need to rise to infinity, take your little red car and drive it as fast as you can into the desert and you will ascend." And, Wallace believes, "that's exactly what she did: She took her little red car, drove it into the desert, didn't ascend, got out, wandered around and fainted from dehydration."

Partin's death and the disappearance of the other women aren't Castaneda's entire legacy. He's been acknowledged as an important influence by figures ranging from Deepak Chopra to George Lucas. Without a doubt, Castaneda opened the doors of perception for numerous readers, and many workshop attendees found the experience deeply meaningful. There are those who testify to the benefits of Tensegrity. And even some of those who are critical of Castaneda find his teachings useful. "He was a conduit. I wanted answers to the big questions. He helped me," Geuter said. But for five of his closest companions, his teachings -- and his insistence on their literal truth -- may have cost them their lives.

Long after Castaneda had been discredited in academia, Korda continued to insist on his authenticity. In 2000, he wrote: "I have never doubted for a moment the truth of his stories about don Juan." Castaneda's books have been profitable for Simon and Schuster, and according to Korda, were for many years one of the props on which the publisher rested. Castaneda might have achieved some level of success if his books had been presented, as James Redfield's "Celestine Prophecy" is, as allegorical fiction. But Castaneda always insisted he'd made nothing up. "If he hadn't presented his stories as fact," Wallace told me, "it's unlikely the cult would exist. As nonfiction, it became impossibly more dangerous."

To this day, Simon and Schuster stands by Korda's position. When asked whether, in the face of overwhelming evidence to the contrary, the publisher still regarded Castaneda's books as nonfiction, Adam Rothenberg, the vice president for corporate communication, replied that Simon and Schuster "will continue to publish Castaneda as we always have." Tensegrity classes are still held around the world. Workshops were recently conducted in Mexico City and Hanover, Germany. Wagner's videos are still available from Cleargreen. According to the terms of Castaneda's will, book royalties still help support a core group of acolytes. On Simon and Schuster's Web site, Castaneda is still described as an anthropologist. No mention is made of his fiction.
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